MADRUGADA

The music that you will discover has this definite Italian taste but I would say that there is something missing out there, but don't really know what. It is maybe therefore that they remained so discreet.

Both Madrugada are useless IMO (especially the church oriented closing), and I am not really passionate with the mellow Camminar nor with the straight-forward and simple Vieni Nella Strada which features poor vocals and a weak melody IMO.

There is finally some more texture in Uomo Blu: more variation in the music played as well. The instrumental part conveys some jazzy feeling (good bass play) which breaks the global atmosphere from this work which was too much on the tranquil side. The soft jazz feeling can be listened to as well during D.M.T which prepares for the best song featured on the album.

Because there is one formidable song featured on this album. By far the longest piece of music Mandrax is a perfect representative of the great Italian prog music we are all expecting from this sort of bands. Intricate, melodic, beautifully symphonic and moving. I only miss some great vocals but hey: nobody's perfect! Instead, we'll get a sublime guitar break.

Thanks to this song (which takes up a third of the album length), I rate this work with three stars.

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