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Robert Beriau - Falling Back To Where I Began  CD (album) cover

FALLING BACK TO WHERE I BEGAN

Robert Beriau

 

Symphonic Prog

3.00 | 5 ratings

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Ivan_Melgar_M
Special Collaborator
Symphonic Prog Specialist
3 stars Yesterday ROBERT BERIAU was added to Symphonic, not without a bit of controversy, and it may be explained with the fact that he plays a new form of the sub-genre that blends elements of diverse sources, but I believe that the main problem is the Ambient element which is commonly identified with New Age and causes a reaction against the inclusion.

But in this case we have no doubt, despite the different elements present in ROBERT BERIAU'S music, the essence and structure is Symphonic, mainly in "Falling Back to Where I began", his 2005 debut and in my opinion, the reason why the band was added to this precise sub-genre.

The album is opened by "Anyone's Life : Humble Story in Mankind", an excellent instrumental that demonstrates why this artist should be here, the long introduction mainly with Synths and piano presents us a soft track, very melodic that could be too light for the people who believe we are still in the 70's. But after a couple of minutes the changes start, not radical, but clear and well elaborate, reminding me a bit of MIKE OLDFIELD but much more melodic and extremely dramatic, and this is not all, a last and more radical change presents us a faster and elaborate conclusion where the drums mark a strong difference. Not the strongest track, but very goof to warm up the audience for the next tracks.

"Suicide... by those Left Behind" starts mysterious and full of expectations with the dark and haunting keyboards preparing the listener for a first climax, which after an in crescendo guitar and keyboard passage reaches, but not in a frantic section, instead in the form of an obscure piano melody that reminds a bit of KARDA ESTRA. The dense atmosphere can almost be cut with a knife and the nostalgia touches the soul of the listener, even the electric guitar plays a slow and distorted melody. A very sad and dramatic track that raises the level of the album.

"Darkness" marks a radical change, starts faster but again extremely melodic, the piano section is extremely beautiful and again very nostalgic and leads to a section that reminds of RENAISSANCE with the piano played in John Tout's style, but when the rest of the instruments join, we have a strong passage with reminiscences of the debut album by ALAN PARSONS PROJECT. The track ends soft with Jazz touches to enhance the eclecticism of the musician.

"Looking Back" begins harder than usual with a powerful keyboard intro and leads to a lighter passage which again reminds me a bit of ALAN PARSONS PROJECT in "I Robot", then starts to change constantly from hard to soft but sadly leading nowhere except to another almost Neo Classical piano which continues untoil the end of the track without surprises.

"Night Running at -30 C: The Warm Up" And "Night Running at -30 C : The Crusing Zone" are two Jazzy tracks that seem like prepared only to heat the pavement for the 25 minutes multi part epic. Not bad, neither too innovative nor original; nice but not great.

Now it's time for the main song of the album, "The Cycle of Love", which is divided in 4 parts, even when it's mainly a soft track that combines Symphonic with Neo Classical and a bit of Ambient, is a very good chance for ROBERT BERIAU to prove his ability with longer tracks, and he passes the test, being that he manages to keep the interest of the listener for almost half an hour.

The album is closed with "Fell", a very short epilog perfect to finish the album a bit harder with an interesting Moog section, but too short to talk about a track that would define the album.

This is a good album for those Symphonic fans that like the combination of Prog with Neo Classical in the vein of KARDA ESTRA, but if you expect a frantic album, better get ROBERT'S second release "Selfishness: Source of War & Violence", which despite being less Symphonic, is much more aggressive and vibrant.

But I like the delicate blend of Neo Classical and Symphonic plus the obvious skills that the multi instrumentalist ROBERT BERIAU presents us in his debut, to be honest, the proper rating would be 3.5 stars, but there's not that possibility in our system, so will go with 3 stars, being that this is his debut as soloist, and I'm sure there will be chances for higher ratings in next releases.

Ivan_Melgar_M | 3/5 |

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