Header
Mostly Autumn - Glass Shadows CD (album) cover

GLASS SHADOWS

Mostly Autumn

 

Prog Folk

3.41 | 86 ratings

From Progarchives.com, the ultimate progressive rock music website

lazland
Prog Reviewer
4 stars I think the band have produced a fantastic LP with this, certainly the best since Passengers, and reminiscent of The Last Bright Light, their best LP, in its outlook.

The album starts strongly with Fireside, which has a blues tint to it and Josh backs with some strong guitar work.

Some reviewers have commented on the more commercial feel to this LP, not necessarily a bad thing, and this is the first track which justifies that charge. As with the Josh & Co LP which I introduced to the site, Bryan's vocals shine here, tuneful and soulful, wonderfully backed by Heather Findley. It is simply a pleasant track.

I am not altogether keen on Flowers For Guns, simply because the backing vocals grate somewhat. However, this is redeemed somewhat by the lovely flute solo and backing, somewhat making up for the loss of Angela in yet more personnel upheaval for the band. The influence in the lyrics by a certain Mr Fish is obvious!

Unoriginal Sin is superb - an excellent Findlay vocal backed by trademark Josh guitar bursts. Yes, it feels far more Fleetwood Mac than Pink Floyd, but given that both bands were great, that is surely not such a bad thing?

Paper Angels is simply stunning, and finds Heather on exquisite vocal form. I also love Jennings piano backing, and his return to the fold is welcome and telling. There is a fantastic Josh solo as well, reminding us all why we started listening to the band in the first place.

Tearing at the Faerytale is also reminiscent of Joshs' solo outing, and none the worse for that. Josh sings heartedly of his heroes, backed again by great guitar work and swirling keyboards, with the rhythm section playing strongly.

Above the Blue is another lovely ballad, with a bit of mellotron thrown in for good measure. Again, Heather's voice is simply beautiful.

Glaas Shadows, the title track, is the epic of the album, and I feel it measures up very well to all previous such tracks. Again, the playing is superb, and Jennings keyboard textures certainly reminds us of earlier LPs. After a gentle and thoughtful intro, the pace picks up, before closing with soft keyboards. Excellent.

Until The Story Ends is the most profound Celtic track on the LP and moves on at a good pace, again Findlay & Josh interact well together.

The album ends with Different Sky, a jolly bouncy track which is really a pleasant closer rather than a classic.

I have followed this band since the beginning, and are by far the best band I know never to have broken into the big time in terms of media exposure. However, this LP should delight long standing and lapsed fans alike, whilst, hopefully, luring more melodic prog fans into the loop.

Very much recommended. 4.5 stars out of 5.

lazland | 4/5 |

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Share this MOSTLY AUTUMN review

>

Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.02 seconds