Header
Max Webster - High Class In Borrowed Shoes CD (album) cover

HIGH CLASS IN BORROWED SHOES

Max Webster

 

Prog Related

4.13 | 20 ratings

From Progarchives.com, the ultimate progressive rock music website

Gooner
Prog Reviewer
5 stars Welcome to the planet which is Max Webster! The zaniness really strarts here. Everything they tried to accomplish on their first self titled album meets the consistency/quality factor. Not a bummer in the lot. Every track makes a statement. It's worth mentioning that Max Webster is a band unto themselves, not unlike the Planet Gong. If you enjoy quality '70s rock, you can't go wrong with _High Class In Borrowed Shoes_. Who else would self-depricate themselves like this on an album cover like Max Webster? Maybe Procol Harum, but Max Webster is clearly a band for the converted. Side One is the spacy side, _Diamonds Diamonds_, _Gravity_, Words To Words_...lyrically bizarre thanks to the fifth unofficial member, lyricist - Pye Dubois(the same guy that wrote the lyrics to Rush's _Tom Sawyer_). Side 2 starts off with _America's Veins_, a heavy rocker with lyrical content observing the American dream in the '70s from the other side of the Canada/USA border. Then there's _Oh War!_, a must for every prog.rock fan worth their salt. Probably the most difinitive use of a keyboard since ELP's _Lucky Man_, yet you've never heard it on the radio. Just when you thought Keith Emerson, Mike Ratledge(of Soft Machine) or Dave Stewart(of National Health/Hatfield & The North) could come up with the most persuasive keyboard sounds, in comes Terry Watckinson to kick the door down. It hits you like a brick wall much like the guitar solo from Robert Fripp on Brian Eno's _Distributed Being_(from Eno's Nerve Net_ 1992) for those familiar with such a track. It's as though someone tapped Terry Watckinson on the shoulder and yelled: SOLO! Yep, the keyboard solo comes right out of nowhere. A real delight. Disclaimer: the f-bomb is dropped only once in this song. _On The Road_ is the definitive Max Webster ballad and _Rain Child_ has a 4/4 time drum intro that could only sound _progressive_ from the snare and kick drum of one Gary McCracken. _In Context The Moon_ concludes the album but begins the Moon-trilogy of the following album, then concludes on the album _A Million Vacations_ with the instrumental SUN VOICES/MOON VOICES. This is the beginning of three 5 star albums in a row from the Max Machine. This is where the curious prog.rock fan should begin.
Gooner | 5/5 |

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Share this MAX WEBSTER review

>

Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.03 seconds