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Deja-Vu - Baroque in the Future CD (album) cover

BAROQUE IN THE FUTURE

Deja-Vu

 

Symphonic Prog

3.23 | 15 ratings

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DamoXt7942
Forum & Site Admin Group
Moderator / Psych Team
3 stars Wow, very classical keyboard symphonic progressive!

DEJA VU was a Japanese "EL&P-like" three piece band around a lyrical keyboardist Motoi SAKURABA. Also in Japan EL&P have been much appreciated by many fans, reviewers, and musicians - in those days lots of keyboard-bass-drum-based three piece ensembles were formed, and most were dismissed soon. Disappointingly DEJA VU were one of Japanese short-lived bands including three talented players. In general a brilliant keyboardist, reminding us Keith Emerson or Eddie Jobson, can be in the spotlight more than the other players...Motoi of DEJA VU was no exception. It's absolutely natural his dreamful keyboard play should be much approved, and surely I can second this approval. We cannot overestimate him with such a dramatic, lyrical, and classically matured solo. Consider again, however, could they play so strictly and rigidly without the rhythm section? No. The terrific and fantastic keyboard sounds did need the basis by the heavy bass and the steady drums and percussion - Tetsuya NAGATSUMA (bass) and Genta KUDOH were great as well. In other words, the rhythm section less-motivated should let DEJA VU be short-lived and break up soon.

Their background aside, though there are pros and cons, I love Motoi's beautiful but "coarse and unrefined - human-smelled" keyboard play, with graceful composition. That is, his play sounds like not a stream but a seashore with big waves - without any mechanical flavour. At this point I cannot help saying he should be less technical than Keith or Eddie - but but I love this rustic play. (Oh, of course not because he's a Japanese like me.) Sadly cheesy voices sometimes attacking my ears cannot be permitted - completely not fit for this beautiful atmosphere. Well variously changeable keyboard sounds and, the steady basis by the bass and the drums holding the keyboard from under...we can taste enough well only by one album.

Let me say this: Please appreciate them more, please. ;-)

P.S. This Baroque In The Future was recommended as one of the best Japanese symphonic albums by a great Romanian reviewer Bogdan Olariu aka b_olariu. Thanks Bogdan!

DamoXt7942 | 3/5 |

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