THE LIFE OF THE HONEY BEE AND OTHER MOMENTS OF CLARITY

1. "The Life of the Honeybee and Other Moments of Clarity" (12:38) a smooth, gorgeous, STEELY DAN-like gallivant through melodic bliss. The only flaw with this beautifully sounding song is that it could use some dynamic changes--even subtle ones (other than introducing soloists). Otherwise, this is one of my top five favorite LP songs of 2020. (23.5/25)

2. "One Small Soul" (5:52) part VAN MORRISON, part BRUCE HORNSBY or ANDREW GOLD, part GARTH BROOKS, this one has a bluesy Country-Western sound and feel to it--even the story the lyrics tell. It has a nice little interlude in the third and fourth minutes before returning to the opening form. (8.5/10)

3. "Arran Shores" (2:40) a solo steel-string acoustic guitar instrumental that sounds like a Windham Hill guitar piece. (4.25/5)

4. "Summerlong" (5:22) piano opens and establishes a DAN FOGELBERG "Same Old Lang Syne" ballad. It's very pretty, very well arranged (with strings) and touching lyrically. At 3:15 drums and bass kick in to launch the song in a new direction. Chunky bass and soaring synth solo definitely gives it that proggy feel. At 4:25, though, it returns to the opening piano with vocal to the end. (8.75/10)

5. "Sepia and White" (13:38) don't let those opening sounds turn you away, this song develops into quite a nice, well-constructed and, as par for the album, emotional song. (25.75/30)

6. "The Light Shines Out" (6:16) BLUE NILE-like drum machine with low synth wash opens the song before recorder solos. The Blue Nile reference is enhanced by the Robbie Robertson-like voice that sings the lyrics but the real ticket to seal the fact of this being a Blue Nile tribute is the use of many Blue Nile catch phrases throughout the song's lyrics--like "closing time," "headlights shining," "ticker tape parade," "radio waves," and many others. And I haven't even mentioned the other instrumental riffs and sounds that come straight out of Blue Nile songs. I can't think of a better band to pay tribute to--especially as its one that seems to receive far less praise or credit than it deserves. (9.25/10)

A pristinely composed, performed, and rendered album (one of the best sounding albums of 2020). Also, this album presents an ensemble of truly heart-felt and heart-wrenching songs--which seems rare in Prog World.

B+/4.5 stars; a near-masterpiece and a very welcome addition to the Crossover/Folk side of Prog World.

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