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La Düsseldorf - La Düsseldorf CD (album) cover

LA DÜSSELDORF

La Düsseldorf

 

Krautrock

3.92 | 46 ratings

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Kazuhiro
Prog Reviewer
4 stars 「It was voluntarily made. It is related to saying that the audience will react to the sound of the band very. 」In the remark of this Klaus Dinger, perhaps, he is Neu. It will have been a part necessary to pursue the music character of man who drank and had been doing music further. And, whether the flow that Klaus Dinger needed concerning music very was understood might be understood.

The above-mentioned remark remarkably showed the intention of the music at which Klaus Dinger had to aim indeed. A remark similar as for Jaki Liebezeit of "Can" was done. That is, it is partial of music that excludes the element of the extra and is done. And, it means the repeated rhythm. It will have been appearance of music that pursued the part of complete essence for Can and La Dusseldorf at this time. It is surely Neu though it developed into the opinion with Michael Rother and the difference of directionality. Details until twining La Dusseldorf will have been the proofs of the pursuit of the music that had to be aimed exactly.

It was an event that Neu recorded "Neu75" multiplied in January from December to 1975 1974. Klaus Dinger is Neu. It is said that it drinks, the part of "Pop Art" is calculated at time, and it acted.

It is guessed that the result advanced by having already thought a part of idea that should do the element that Klaus Dinger exactly thought about for the music character of the band that derives from Neu by catching.

La Dusseldorf that caught from still another angle while succeeding to the music character of Neu and challenged might have been pursued as a part of the idea refined further and the music character. It was said that Klaus Dinger had not adopted the character to be called "Motorik Sound" generically of their music characters as a result. Meaning that approaches essence of music as well as Jaki Liebezeit. Or, it is pleased repeated. They might be parts of the essence of the music of this band. The listener occasionally called it "CosmicSurfPunkBand". Or, it might have been Post Punk. These music characters also certainly had the opinion thought about as one of the elements that gave directionality to "Low" and John Lydon of David Bowie. However, Klaus Dinger might understand a complete necessity enough and challenge music. It will have been inevitable appointment because it made this music character an embodiment by as many as two people (Thomas Dinger and Hans Lampe).

"Dusseldorf" progresses to an electronic sound that flows completely in the space attended with the repeated rhythm. Music combines repeating the blissout, invariability, and the top. The melody and the chorus of peace are inevitable as the music character. However, power and the idea of the involved music have succeeded. The part of the directionality at which the band should aim is exactly included enough. An electronic sound, and repeated melody and rhythmMusic that excludes the extra and is done might be completely refined.

"La Dusseldorf" advances from shout of joy SE as complete Rock. Whether it influenced various very musicians might be understood. Cutting of refined guitar. And, the song and the chorus who includes the element of Punk. A straight rhythm and the idea might be the music for this band.

As for "Silver Cloud", the feature an electronic melody and the guitar that flows in the space. Making the sound completely refined will not be simple Rock. It might be understood to have developed the music character done with Neu further. The band has consistently established the music character. Peace and space are involved to an electronic sound with the anacatesthesia. Their music can feel the blissout in the listener. Klaus Dinger is made remarks, "How it keeps moving is important". It will accompany a mental part as essence of music. There might be a nucleus of the band in the part where essence is understood and music is caught in the sense. The tune heads from the part that flows in space for the top further attended with the transposition. The never-ending space might be splendidly created by music.

When "Time" also talks about the essence of this album, it might be an important tune. An electronic sound that slowly flows to the song with the anacatesthesia twines with the piano. The blissout and space might be completely expressed. The performance that completely understands the meaning and the directionality of the repeated rhythm and is done can be caught enough as a music character at which this band aimed.

La Dusseldorf might have influenced various musicians. And, the thought that Klaus Dinger thinks about appears in the music character of this band.

Kazuhiro | 4/5 |

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