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Apple Pie - Crossroad CD (album) cover

CROSSROAD

Apple Pie

 

Neo-Prog

3.81 | 121 ratings

From Progarchives.com, the ultimate progressive rock music website

sargassov
5 stars We have lived up to that exciting moment when Russia's progressive music gradually comes out of hiding. Example of Apple Pie, I hope, will prove contagious. Published in Russia a fresh plate received excellent press in Europe and has all chances to get loose on the full program - in certain circles, of course.

Nothing is so amazing and magical staff in his attempt did not create, but their mix of classic Spock's Beard Neal Morse with the old mic stand and a Dream Theater album version of the last two 90-ies (the atmosphere, in the first place) listens well. Thus the sound of the national team does not allow her to consider a choir of clones. The musicians skillfully varied influences, moving from the classic British symphonic rock to neo-prog last wave, from hard to funk. This adds a record of lightness, airiness. So in Russia, it seems, no one has ever played. Apple Pie initially rejected the artificial complexity of the material, with an emphasis on melody and atmosphere. Very nice work, which warms the soul with their origins. Keep it up.

"Crossroad" is the debut CD by Russia's APPLE PIE, which is a quartet comprising Vartan Mkhitaryan on guitars and lead vocals, Oleg Sergeev on keyboards, Andrey Golodukhin on drums and Alexey Bildin on bass (I'm just wondering, is this the same Alexey Bildin who plays saxophone in Little Tragedies?). Although the band is on the run already for seven years, all its members have full-time jobs, which explains their relatively low production. Alongside perfect (with no accent!) English vocals, the group's remarkable compositional, arrangement and technical skills are all brightly reflected on each of the ten tracks present, seven of those ranging from eight to twelve minutes. The style is a fusion of symphonic Art-Rock and Prog-Metal, suggesting something halfway between Spock's Beard at their most intricate and hard-edged and classic Dream Theater. This is just a brilliant album, really; it's definitely worthy to be viewed in detail, but since I had to spend ten days in the health center this month, while still having more than 100 discs in my queue on average, it is beyond my powers to do any detailed reviews this time around, for which I offer my apologies to all the musicians whose recordings I have examined for this update, as well as the readers.

sargassov | 5/5 |

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