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Yes - Relayer CD (album) cover

RELAYER

Yes

 

Symphonic Prog

4.36 | 2095 ratings

From Progarchives.com, the ultimate progressive rock music website

Kazuhiro
Prog Reviewer
3 stars The existence of "Tales From Topographic Oceans" was an always popular as one masterpiece work for the fan and the listener. The album with a grand composition in which the thought and the philosophy were remarkably reflected one would be challenge and be attempt for Yes.

The content of "Tales From Topographic Oceans" took pride in one top and perfection as symphonic Rock as fan and listener's opinions. However, there was an opinion made to have discharged the opinion and everything made to have completed it too much to some degree as the music character at this time that Yes expressed, too. It might be an opinion thought about compared with this album. The situation that they reach this album and a chain of flows are certainly the well-known facts.

The time of 1974 from 1973 will certainly have been time of the revolution for Yes. However, a new wind caused by a certain kind of sense of relief and the member of this album might appear remarkably in this album if it thinks about the perfection of the work by taking it up. And, if the situation and the flow from which they were left as some respects that can be taken up in this album at that time are considered, the listener will be able to discover a little revolution to be in the music character of Yes.

This album is said that the plan of the content started in February, 1974. The creativity of Jon Anderson develops from thought to construct with "Tales From Topographic Oceans" and a philosophical element further in this "Relayer". The method of the performance of "The Gates Of Delirium" and the band that uses War and Peace as a theme might also have some devices.

The action of Rick Wakeman that secedes for a musical dissension and the keyboard player's election are the well-known facts as their histories. Patrick Moraz chosen as keyboard t person as a result has begun rehearsals since July, 1974. And, it is said that it worked on "Sound Chaser" for the first time in August, 1974. Or, the method of the performance by Telecaster by which Steve Howe worked in this album might twine well as a taste of the album, too. New wind that Patrick Moraz that had absorbed a variety of music characters brought in to band. And, the composition of the album by three to which the same composition as "Close To The Edge" is taken again flows. These would have been symbols of the sound of freshness and the band that developed further for the band.

It was time when the performance of Alan White that decided the rhythm of Yes was established to the band. Part of idea of member who used new performance method and theme there and performance. The element of symphonic that Yes thought about never shrank. Because a certain kind of sense of relief and Patrick Moraz joined, the band might have been involved a good influence and the derivation the form of the performance. The music character done till then and the idea might be splendidly absorbed and be opened in this album.

As for "The Gates Of Delirium", the sound of the guitar that produces the melody and the anacatesthesia of the keyboard with a transparent feeling is impressive. Part where fast and slow was put on part with grand composition power. Part of melody and song that produces sense of relief. The part with the dash feeling and the rhythm and the melody that develops one after another might be splendid. Line of Bass that pulls Solo and tune of guitar. Melody that produces tension and sense of relief while developing grand melody. And, it flows by the faithful reflection of the theme in the tune. The atonal element might gone out a little in the part where the keyboard and the guitar are taken an active part. However, the overall composition power and the expression are overwhelming. And, the part of the song with a beautiful melody and a transparent feeling in the part of "Soon" might be splendid.

"Sound Chaser" produces a complete dash feeling and the tension. Part of keyboard and drum that listens to overwhelming technology. The processing of a complete guitar of Steve Howe might be splendid. Patrick Moraz to make the band introduce a new sound gives good atmosphere. Element of complete symphonic. And, Solo with the guitar will enchant the listener enough. The part of Rock that appears in the latter half might succeed as a composition, too. Development that puts fast and slow is a new challenge for the band.

The progress of the melody and Chord with expression of feelings of "To Be Over" is impressive. Also to the melody of Steve Howe that performs Sitar and a pastoral song twines well. The sound of the brush caused by Alan White is also effective. Melody that continues transparent feeling. The obbligati of a grand keyboard that supports the sound of the guitar might be also splendid.

It is likely to exist as a work with the part where the situation of the band that exactly revolutionizes it was splendidly projected to the album. It is an album that leads to much very much in their works.

Kazuhiro | 3/5 |

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