INFINITE SEARCH [AKA: MOUNTAIN IN THE CLOUDS, AKA: THE BASS]

Miroslav Vitous is probably most known for being part of WEATHER REPORT when they first started out, but he has a long resume. This is his first solo album released before WEATHER REPORT's debut which came out the following year. Miroslav is such a talented bass player but he also plays violin and keyboards, and when he was younger he was a world class free- style swimmer. In fact after winning a scholarship to Berklee College of Music he had to decide between swimming and music. Thankfully he chose the latter. The lineup on this album is such that you should be sitting down when you read off the names. John McLaughlin on guitar, Jack DeJohnette on drums, Joe Henderson on sax and Herbie Hancock on electric piano. Told you so. My first impression of this album was that it wasn't very dynamic. It's more Free-Jazz perhaps, certainly not in the MAHAVISHNU ORCHESTRA style. And Vitous is very dominant here along with DeJohnette as the guitar, piano and sax come and go.

"Freedom Jazz Dance" opens with seemingly everyone being part of the sound. Very intricate stuff. Piano comes to the fore 3 minutes in. Bass is just throbbing away then the guitar takes the spotlight after 4 1/2 minutes. McLaughlin is ripping it up. Henderson's turn after 6 1/2 minutes. This is the most dynamic track. "Mountain In The Clouds" is a short tune with cymbals and bass leading early. Check out the bass and drums !

"When Face Gets Pale" opens with cymbals, bass, piano and intricate guitar. The bass is incredible here. Deep bass lines late. "Infinite Search" is led by bass, piano and drums. "I Will Tell Him On You" features sax, piano, bass and drums standing out early. Sax leads before 3 minutes. It gets pretty intense a minute later. Guitar takes the lead then piano 7 minutes in. Drums pound away after 8 1/2 minutes. "Epilogue" is the only track that DeJohnette isn't on, instead we get Joe Chambers. This one's fairly laid back as bass leads the way. Piano becomes more prominant 4 1/2 minutes in.

For me this is one of those albums you really have to pay attention to. It's not background music, you have to give attention to the detail.