2870

1. Jesus with the piano forward who trains Jesus ... Gérard in the footsteps of a redundant title where Jesus is his hero; Real or simple game, the future will give us an idea; Pop rock that could boast of having folk consonances with this mantranic air; The words, the sentences that intersect, overlap, with this idea of ​​being in the middle of a musical overloop where we get lost 2. The bridge with the acoustic guitar which flows more than it brings out its notes; A solemn violin, ah the piano and then Gérard with his unique voice, the melody has already arrived, a small riff nervous guitar, the vocal which rises and then this battery of François who slams dry. The guitar solo that comes to pose the melody, yes we had left; His voice in 'good vibration' unique personal process and the melody that leaves, the voice imposes. We are bewitched, ah I hold on, the voice bewitches; A guitar solo that could be stamped metal if he dared to let go a little more; The riff worthy of Barclay James Harvest who explodes for good 3. A man a woman with this intro who always reminds me of William Sheller; The syncopated, clear, incisive piano, the guitar that shears the air and Gérard the air Guilleret, speaking of the two entities making our earth vessel operate; The guitar leaves on a progressive country at the supertramp, well fucked up; The chorus slightly heady with the irritating end, yes I know it is a man and a woman, but the guitar ah the guitar of David, that throws until the end 4. Friends for the ballad, not the rhyme, not the dark melodic spleen title, a little accordion that brightens up the acoustic guitar; The memory of having listened to it so long in LP with the crackles that it is now part of the sound; The melting nostalgic air, pro -friendly friends too?

5. 2870 ... just a sad child, listen; The progressive title without its atmosphere with the spinning electric guitar, the reverberation of the sound that goes back, yes strange as if the K7 band was corner and returned the time; At the start this memory of having listened to my K7 and thinking that she was poorly recorded. The sad future by the day after tomorrow of a sad child, in a glass city, yes I have listened to Manset's words since the time I write it; The monolithic break from a third party gives the floor to this cold guitar which screams more than it breathes, for time, time, time, on an avant-garde electronic ramification; Break at the last third, silence, voice that is long overdue, choirs upside down and it left; Dominique's piano imposes the base while Didier's bass gives the metronomic; The reverbent title from an imagined world that is cold in the back, good 2870 We still have time to change it; A progressive melted to tame missing for me of relief from 5 minutes paradoxically. 6.Ton happy soul as friends, the rhyme, sweet rhyme, suave, bewitched; A text naturally sung by Gérard assisted by the guitar of Marc, David, of them, always so acute that you would almost see the notes coming out of the handle.

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