THE SONGS & TALES OF AIROEA BOOK 3: MAGICAL CHRONICLE (ASCENSION)

THE CHRONICLES OF FATHER ROBIN is a modern day supergroup that has taken on the mission of resurrecting material of a band named Fangorn that existed in the early 1990s but never existed long enough to release any material. Bringing the material up to date and infusing it with new life, this band that consists of members from Wobbler, That Samuel Jackson Five, Tusmørke and Jordsjø has released three individual albums in the last couple years to recount a fantasy journey of an intrepid should named Father Robin in a three part journey with each album focusing on a different aspect of the storyline.

"Books 1 & 2" emerged in 2023 with great fanfare as the band nurtured all the classic retro sounds of the 70s with a strong focus on Yes, Gentle Giant and the folkier side of prog with lots of flute and lush acoustic guitar. THE SONGS & TALES OF AIROEA - BOOK 3 follows the first two chapters in early 2024 and concludes the mega project laid down by this army of seasoned prog musicians. While "Book 1" focused on the land, "Bood 2" covered the water worlds of AIOREA. BOOK 3 tackles the more ethereal and air sign qualities and is subtitled "Ascension." This third chapter like the other two differ slightly in stylistic approach while all being anchored in the same symphonic prog meets folk in the classic golden age prog approach.

BOOK 3 begins with the opening "Magical Chronicle" which is the most Gentle Giant inspired track of the band's three album run. It's an odd mix of classic Gentle Giant eclecticism married with the symphonic prog touches of Wobbler's current Yes-inspired take on symphonic prog. Perhaps the most energetic track since the band's debut, it is also the most prog oriented with the most time signature workouts. A veritable tribute to the past unfortunately comes off as too close to the source as do many of the tracks after the promising uniqueness of ""Book 1." The album continues only in a much lusher and psychedelic tone. The following "Skyslumber" generates a dreamy "floating" feel with pacifying acoustic guitars and Andreas Prestmo's most subdued vocal style. Once again his contributions make the project sound more like Wobbler than any of the other retrospective bands that the members are involved with.

With "Cloudship" the band channels its most placid reception of classic Yes with a clumsy ballad that sounds more like Jon Anderson solo material than Yes proper. At this point the band has clearly lost any sense of originality that allowed the debut album to stand on its own. While "Book 2" was a step down, BOOK 3 seems more like a tribute band playing homage to the lesser known Yes and Gentle Giant songs only set to a folkier atmosphere. This is only the third track and it already feels like an album's worth of recycled material. Ugh. "Empress of the Sun" luckily picks up the pace significantly with a rocking guitar groove and accompanying keyboard heft. This is the kind of sound that gets comparisons with King Gizzard & The Lizard Wizzard however the vocals are still in the Yes camp although on this particular track they sound different from any other track on the three albums. The keyboards then start to emulate The Doors demonstrating that this band is mostly about copying rather than innovating. A decent track that could've been much better with a healthy infusion of creative fortitude.

Continuing the album's lack of cohesion and flailing around, "Lost In The Palace Gardens" jumps back into a mandolin infused folk. It's a rather generic sounding track and unfortunately at this point the title of the track describes the band's inability to deliver a three album concept. This particular track is insipidly flat and pretty much drops the ball in any attempt to make this final album feel like anything more than a final album of leftovers. In fact the album is a completely botched attempt of wrapping up what's supposed to be a three part series that presumably should get better with every release. What happened was a very competent debut album that showcased influences but stood as its own as original found a precipitous drop in quality on "Book 2" and although that album was inferior, it least it was listenable. This one on the other hand is a complete waste of time with one uninspired B-side track after another and not a lick of originality. What a huge disappointment this 3-part journey has been. One album should've been enough and the band would've been better to wait until they had enough quality material to release the second.