CLOSE TO THE EDGE

As this is the first review that I intend to publish out of many, I feel like it wouldn't be right to start with any other album than Close to the Edge. It was among the first albums that introduced me to the world of progressive rock. Initially, it left me perplexed and unsure, but with each subsequent relisten, I found myself unable to resist adoring it and sharing it with people I knew, ultimately receiving many mixed reactions. Despite releasing in 1972, the album remains to be a classic with not just myself, but with many fans within the progressive rock genre. Furthermore, the album has garnered acclaim from music critics across the board and is hailed as one of the finest in the genre.

The album features the contributions from Jon Anderson on vocals, Steve Howe on guitar, Rick Wakeman on keyboards, Chris Squire on bass, and Bill Bruford on drums. This lineup is often acknowledged as their "classic lineup," and rightfully so, as each member is able to bring a unique dynamic to their sound. Each member's influence extends beyond the band and into various projects and solo careers which contributes to each of their enduring legacies. When envisioning the ideal lineup for a supergroup, it's difficult not to include at least one or two members of Yes. Additionally, credit is due to Roger Dean and Eddy Offord for their contributions to the album. Roger Dean's cover artwork, though simpler than his typical style, is complemented by a captivating landscape inside the gatefold. This adds an extra layer of allure to the album while also blending very well with the music. Meanwhile, Eddy Offord's exceptional production work shines through as he draws from his experience with the band's live performances. Offord aimed to capture the energy of their best concerts within the studio recordings.

The album begins with the monumental track "Close to the Edge." Words can hardly express the profound significance this song holds for me; it continues to stand as one of my all-time favorites. The sheer brilliance of musicianship, the intricate composition comparable to a symphony, and the lyrical depth rivaling that of esteemed poets make it a true masterpiece. It embodies the very essence of progressive rock, taking listeners on a journey through various styles, genres, and emotions. Moreover, the following two tracks deserve equal acclaim. Both stand out as some of the band's finest compositions. "And You And I" begins with delicacy, gradually evolving into an impressive crescendo which allows Jon Anderson to showcase his remarkable talent. This song underscores the significance of dynamics in music; the interplay between soft and loud passages is essential for its impact. "Siberian Khatru" is yet another outstanding piece that seamlessly blends various genres into an engaging composition.

Midway through the recording process of this album, Anderson made the decision to walk home from the studio following a difficult session that stretched into the early hours of dawn. Overwhelmed with emotion upon his arrival, he found himself in tears, realizing that he could now proudly declare himself a true musician. This moment led him to fill in the occupation section of his passport, a space previously left blank, with the title of "musician." Following the completion of this album, the band faced a significant change as drummer Bill Bruford departed to join King Crimson. His departure marked the entrance of Alan White, previously known for his work with John Lennon, as the new drummer. "Close to the Edge" stands as an essential cornerstone for those exploring progressive rock and music in general. Its historic significance makes it an essential listening experience.

Favorite Track: Close to the Edge (18:12)

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