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The Muffins - Loveletter #2 - The Ra Sessions CD (album) cover

LOVELETTER #2 - THE RA SESSIONS

The Muffins

 

Canterbury Scene

3.11 | 9 ratings

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kev rowland
Special Collaborator
Honorary Reviewer
4 stars In 2004 The Muffins released 'Double Negative' with the line-up of Dave Newhouse (organ, grand piano, soprano, baritone & tenor saxes, bass clarinet, percussion), Tom Scott (flute, soprano & alto saxophones, clarinet, percussion), Billy Swan (bass, guitar, percussion) and Paul Sears (drums, guitar, trombone, percussion). They had some guest musicians involved on some of the tracks, including Knoel Scott (alto saxophone) and Marshall Allen (alto saxophone) and perhaps unsurprisingly, this led to a series of improvisations between the six, which were recorded and released in 2005 as a companion album to the original. Marshall Allen is of course famous for leading the reed section in The Sun Ra Arkestra from the time he joined in 1958 for more than 40 years, and is now leader of the Arkestra and is still playing (in his 90's!) while Knoell is a mere whippersnapper having been born in 1956 and joining the Arkestra in 1979.

The Muffins are a band built on improvisation and bouncing ideas off each other, while at the time of this recording Scott and Allen had been in the same band for 25 years, and it is an absolute delight to hear the interplay between the six of them. The only thing which would make this better would have been if there had been a camera in the studio capturing what was going on, as I can imagine the guys going between smiles and intense concentration as they try to work out where the muse is taking them and what their contribution needs to be to further that. At times there are four saxophones at play, while the rhythm section swaps and changes as they look to further their Canterbury avant garde approach to progressive music.

This will not be to everyone's taste, as it is moving The Muffins in an even more avant-garde direction, yet to my battered ears this is a delight, and I can sit and listen to this all day. Experimental music driven by horns is rarely better than this.

kev rowland | 4/5 |

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