ASIA

It's interesting that Asia is a supergroup of the highest progressive rock caliber playing unprogressive rock. Most of these songs are at least good pop rock tunes with some small measure of progressiveness and bombast (likely unavoidable given the lineup).

"Heat of the Moment" Probably the first John Wetton vocal I'd ever heard, I hadn't associated him with his 1970s work with bands like King Crimson. The heavy electric guitar riff certainly doesn't sound like the Steve Howe of yesteryear, which is strange because his style is so distinct and eclectic. Geoff Downes counters those crunchy rock riffs with light plucky keyboard. Carl Palmer actually sticks out as himself the most on this album in terms of not blending stylistically. His big sound is fitting most of the song, but then he strangely resorts to riding the snare through the guitar solo.

"Only Time Will Tell" A trumpeting synthesizer and screaming lead guitar give way to soft keyboard and vocals. It is another well-crafted song with a solidly memorable melody, quite similar to The Alan Parsons Project.

"Sole Survivor" To my ears, this third track sounds like a transitional song between Tormato and Drama. It has Howe's heavier guitar sound paired with cheesy keyboard tones, thick drumming, and moves like a turn-of-the-decade Yes composition.

"One Step Closer" Another semi-progressive rock song, I am again reminded of Tormato and Drama. Vocally, however, one may expect bright pop singing with the huskiness of Wetton's voice.

"Time Again" Speaking of Drama, this piece reminds me of "Machine Messiah" in so many ways- from the dark guitar and synthesizers, the chugging bass, and the overall mood.

"Wildest Dreams" This is an incoherent composition, swaying between pounding rhythms, semi-reggae, and an unfortunate, general cheesiness.

"Without You" "Without You" is similar to an edgier Eloy (and Wetton even sounds like the lead singer for that band here).

"Cutting It Fine" While retaining the prog-laced heavy pop rock that fuels this album, Asia dives into further cheesiness. Downes's gentle piano bit may seem out of place, but it's a welcome interruption regardless.

"Here Comes the Feeling" A straightforward rocker concludes the album. The interplay of the bass, keyboard, and guitar is excellent, and Asia provides a genuinely great progressive pop tune.