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The Flock - The Flock / Dinosaur Swamps CD (album) cover

THE FLOCK / DINOSAUR SWAMPS

The Flock

 

Eclectic Prog

3.28 | 6 ratings

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Gatot
Special Collaborator
Honorary Collaborator
3 stars I just got this double CD last year when I happened to visit Bandung, Indonesia. I was surprised that this rare package that contains two albums is finally available. I had been chasing these two albums so long. And, to my surprise, there is a wonderful liner notes from my favorite blues master JOHN MAYALL who was amazed watching THE FLOCK Live. Oh man ..what a treat!

Disc One: THE FLOCK

The album kicks off with "Introduction" (4:50) that basically introduces you to the sort of music they play - well, not really because it contains an exploration of violin solo and guitar fills in quiet passage. It flows to "Clown" (7:42) in exactly the same vein like CHAZE - the band whom all the members died tragically in a plane crash - or CHICAGO TRANSIT AUTHORITY. Oh man, this track is so powerful in compositions: solid bass lines, excellent improvisations, great solos and good melody that projects an image of classic rock tunes. The third track "I Am the Tall Tree "(5:37) continues with a mellow style vocal and guitar / violin at opening part and it flows with some influence of blues and jazz music. It reminds me to the music of BLOOD, SWEAT and TEARS.

"Tired of Waiting" (4:35) gives an opportunity for violin to do long solo during opening part. It flows to classic rock style with great violin and guitar solo. The fifth track "Store Bought - Store Thought" (7:00) is one of my favorite as it has stunning guitar solo - relatively long - during opening part accompanied with excellent brass section and seventies singing style.

"Truth" (15:25) concludes the album with some blues touch - nice one - that reminds us to blues-based rock bands like BLIND FAITH, CUBY + THE BLIZZARD, LIVIN' BLUES, KEEF HARTLEY band PLUS great violin and brass section. I love the singing style as well as the combination between violin, guitar solo and brass section that make up this excellent composition. The exploration of trumpet and tenor saxophone in the middle of this track is truly excellent.

Disc Two: DINOSAUR SWAMPS

The album starts off with an ambient "Green Slice" (2:03) that basically explores organ and tenor sax sounds, continued with "Big Bird" (5:50) in relatively upbeat tempo augmented with brass section work and violin; influenced by country music. The trumpet solo in alternate with violin is truly stunning. "Hornschmeyer's Island" (7:26) continues with heavy elements of jazz especially through improvisation part in the middle of the track where violin performs its solo. Brass sections, flute and guitar accentuate the song excellently.

It's unusual that the band starts "Lighthouse" (5:17) with electric solo followed with full music that brings voice line enters the scene. The bass lines are very obvious coupled with brass and guitar solo in uplifting mood. I like the interlude part where all solos are performed in compact fashion combining guitar, bass and brass section. "Crabfoot" (8:14) is an upbeat brass rock outfit, augmented with excellent violin work. The guitar solo reminds me to Chicago's Terry Kath, it's stunning. The interlude part is energetic with inventive brass section. "Mermaid" (4:54) is a track with different textures and styles compared to other tracks. The melody and rhythm are weird, they don't seem to fit but they produce unique sound. "Uranian Sircus" (7:09) is similar in style with previous track. I like the flute work and violin solo in this track - all performed in jazz nuance.. Overall, this album is less if I compare it with the band's debut album. However, it's a good album overall.

KEEP ON PROGGIN' ..!!!

Yours progressively,

GW.

Gatot | 3/5 |

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