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Rush - Permanent Waves CD (album) cover

PERMANENT WAVES

Rush

 

Heavy Prog

4.30 | 1412 ratings

From Progarchives.com, the ultimate progressive rock music website

Cygnus X-2
Special Collaborator
Honorary Collaborator
5 stars After the masterpiece, Hemispheres, it was going to be tough for Rush to top themselves. While they did not topple over Hemispheres, they released one of their best records. This album was one of the first ever to be released in the 80's, coming out on January 1, 1980. The keyboards on this album are more for background purposes, and not to be used in the forefront like in the follow-up albums. Alex's guitar tone on this is immaculate, like all of the tones he uses. Geddy's bass is very complex and he's playing at his creative best, the same with Neil Peart, who pulls out all of the stops. The lyrics on this album are also second to none.

The album opens with a fan-favorite The Spirit of Radio. Beginning with a very hard rock intro, it quickly evolves into classic Rush structure. Geddy plays a mean bass, and Neil creates nice sounds with his bells set. The Reggae section is also a very welcome addition to the Rush sound. Freewill also begins in a rocking fashion. This is a very complex song that has multiple time signature changes, and features one of the best Lifeson guitar solos around. The next song, my personal favorite Rush song right now, is one of the most complex songs they ever crafted. I like to call it the Can-Utility and the Coastliners of Rush songs. Jacob's Ladder is a lyrically short piece, but a musically long piece. Featuring shifting signatures every measure, incredible instrumental sections, and and incredible keyboard by Lee, this song just never gets old. The variety in riffs and structure on this song are incredible. The next two pieces, Entre Nous and Different Strings are both quieter, more gentle pieces. Nothing much to say except Hugh Syme plays a great piano of Different Strings. The finale of the album is another personal favorite, the epic Natural Science. With an incredible introduction, the riff-maestro Lifeson never ceases to lose his creative juices. Each section has it's high points, and they all connect to create a masterpiece of a song.

Overall, I think this album is one of the best Rush albums ever. There are no flaws, and it never gets old. I recommend this to any progressive rock fan. 5/5.

Cygnus X-2 | 5/5 |

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