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Izz - I Move CD (album) cover

I MOVE

Izz

 

Symphonic Prog

3.70 | 102 ratings

From Progarchives.com, the ultimate progressive rock music website

BrufordFreak
4 stars A New York City-based band releasing their sophomore album four years after their debut. It's a long one but well worth careful investigation and multiple listens.

1. "Spinning Round" (2:59) heavy dub/trip hop opening with power chords turns 1980s techno pop when vocal arrives. Catchy pop song reminding me of THE CLASH until the jazzy piano fill and techno-hip-hop sounds join in. Clever, poetic lyrics. Nice guitar solo in the final minute. Definitely not what a prog lover would expect, but I like it! (9/10)

2. "I Move" (5:25) an XTC-like song. Nice imitation but a little slow. (8.667/10)

3. "Weak Little Lad" (3:50) this one convinces me that the band was really trying to make a mark in the Indie-pop world. A little house funky. (8.667/10)

4. "I Already Know" (3:55) slow, plodding beauty. Could be a Beatles song were it not for the proggy Steve Hackett lead guitar. (8.75/10)

5. "I Wanna Win" (5:46) more 1980s programmed drums, funky bass, and synths with choral vocals similar to ABC or NEW ORDER. I love the vocals and lead guitar work; not so keen on the rest. (8.667/10)

6. "All the New" (1:24) acoustic guitar with vocal. Nothing special here musically. (4/5)

7. "Star Evil Gnoma Su" (8:37) a foray into jazz-rock fusion albeit simplified and very organized which then, in the second minute, moves into a kind of electronic sequence. Nice keyboard work. Nice CRIMSONian weave and guitar soloing in the third and fourth minutes, respectively, before the rhythm pattern turns almost Reggae bass 'n' drums. Interesting and unlike any other eclectic cut and paste song I've ever encountered before. (17.75/20)

8. "Another Door" (4:42) like a R&B side of Curt Smith (Tears for Fears) ballad--a sound that precedes that of New Jersey band, The Tea Club. (8.75/10)

9. "Something True" (2:37) acoustic guitar & mandolin weave trying for a bit of a World/Arabian sound as the angelic voice of female vocalist of Anmarie Byrnes fills and permeates the background. One of the Galgano brothers takes over in the lead vocal department with his raspy voice--rather aggressively for this kind of folk soundscape. (4.5/5)

10. "Believe" (3:33) AMERICA-like multi-guitar weave with multi-track vocals opens this before being enriched by bass, drums, and keys. With the female & background vox it almost sounds like STARLAND VOCAL BAND or some other Americana band from rural America. Pretty nice! (8.75/10)

11. "Knight and Nights" (6:37) true 1980s GENESIS or TWELFTH NIGHT with some 1980s sounds and vocal approach. Nice Tony Banksian keyboard work--until it becomes more Keith Emersonian. Pretty well done, actually. (8.75/10)

12. "The Mists of Dalriada" (2:42) a nice instrumental Scottish folk song electrified and progged up. (8.75/10)

13. "Oh, How It's Great !" (4:46) electric guitar weave opening turns West End theatric before Beatles-esque vocal makes it more XTC. Great lead guitar solo in the third minute. (8.75/10)

14. "Coming Like Light" (11:40) classical piano opening gives this one a kind of AFTER CRYING or RENAISSANCE feel--especially when all of the electric rock instrumentation arrive. At 1:08 we move into a definitely more EMERSON, LAKE and PALMER territory--more so when the Greg Lake-like (though, if truth be told, it's more of a JOHN WETTON) vocals soon join in. Despite not really being an ELP lover, this is definitely one of the album's highlights. In the fourth minute the instrumental portion of the song moves more into the KING CRIMSON or YES range of ELP sound possibilities. Nicely creative! At the end of the sixth minute this falls away to allow a different classical-sounding piano exposť to enter and dominate--over which vocals join in before chunky bass, drums, and Steve Howe-like pedal guitar give it a very YES-like sound. Nice vocals with some poetic/romantic lyrics. Blade Runner interlude in the ninth minute precedes an awesome John Lennon/BEATLES-like passage. Easily the best song on the album. (19/20)

15. "Light from Your Eyes" (4:24) opening with arpeggi from treated electric guitar sounding very 1980s hair band. Even the presence of beautiful vocal does little to change this 80s hair band feeling. It's not until 2:07 that any shift or other instruments join in--which is kind of nice--especially since the electric guitar dominated second half is a bit less powerful than the first half. (8.75/10)

Total Time: 73:11

B/four stars; an excellent addition of eclectic prog rock for any prog lover's music collection.

BrufordFreak | 4/5 |

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