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Leprous - Tall Poppy Syndrome CD (album) cover

TALL POPPY SYNDROME

Leprous

 

Tech/Extreme Prog Metal

4.13 | 364 ratings

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BrufordFreak
3 stars Like several other reviewers of this album, I'm quite surprised at the choice of sub-genre to which this album has been assigned; the "tech/extreme prog metal" label also kept me away from trying this album out earlier. The theatric nature of these songs and their performances reminds me of QUEEN, SAGA, KHATSATURJAN and a lot of RPI. While it does get quite heavy and uses some very common 'signature' sounds found in metal, I find it far less repellant or in-your-face as most metal music. My question with regards to all those who keep acclaiming the band's technical and performance wizardry is: Where? I find the drumming and especially the keyboards (especially piano and organ parts) to be quite simply constructed--very much like a Broadway musical--and their performances to be quite competent, even refreshing (for the metal/heavy prog scene), but, nothing more. The music leaves me blank, not numb but simply without emotion (though I do find myself laughing from time to time at the frequent use [over use?] of melo-]dramatic musical clichés). As a matter of fact, the more times I listen to this album I find myself unable to shake the feeling that these guys are kind of soul-less; doing a great job of going through the motions of being prog metal artists but really not conveying much to the world. I enjoy the presence of melody and changing evolving structures, but, again, I am not a hearer of lyrics: vocals are yet another vehicle for musical presentation for me; a song (or album)'s 'message' is rarely of any particular value to me (other than how well the music supports the emotional message of those words). While I like the opera and Broadway, I am less inclined to choose this to listen to over either precisely because of the metal electric guitar rhythms. Should I wish to engage with a progressive rock theatrical production I will much rather turn to good ole Genesis or Yes, Queen or The Who, or the new Khatsaturjan or wonderful Musea Records/Colossus productions of the past decade.

Love one reviewer's reference to the GARY NUMAN-like keyboard in the title song--(my favorite on the album).

BrufordFreak | 3/5 |

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