COLOURS

"Colours" is a very good Eloy album following a plethora of classic releases during the 70s. The album has a retro sound as all 80s albums tend to have especially with the synth sound, but this is still a progressive release from Eloy with some of their best material.

'Horizons' features the high pitched vocals of guests Edna and Sabine over a quirky time sig driven by keyboards and the hypnotic guitar melodies of Hannes Arkona and Bornemann.

'Illuminations' has familiar Eloy vocals from Frank Bornemann and the strong synth sound of Hannes Folberth. The pace is moderate tempo, and some heavier guitars are heard sounding like Nektar. The riffs are catchy, with terrific guitar work throughout, incredible keyboard solos, and I would say this is a highlight on the album.

'Giant' has a Pink Floyd vibe and some innovative guitars. The keyboard phrases are spacey and it tends to hook into a hypno groove with beatific passages and nice vocals from Bornemann. The keyboard solo is wonderful, very soothing and so well played.

'Impressions' has a whimsical feel with beautiful flute sound, keyboards and guitar picking with the vocals taking on a laid back style. This is easy listening prog but very well accomplished musicianship especially that gorgeous flute solo using keyboards.

'Child Migration' is a keyboard domination, and the vocals are well executed. I like the way the crunching heavy guitar riff comes in later with an odd time sig. The release of tension into light passages is an outstanding touch, and it drives along with layers of keyboards. I love the Floydian keys at the end with spacey atmospheres. This is definitely one of my favourite Eloy songs.

'Gallery' has faster keyboard phrases with an 80s sound but Eloy somehow keep it progressive enough to hold interest. It is more straight forward in terms of structure but a nice diversion into rock.

'Silhouette' is the single and has a Pink Floyd style riff with a rock beat. The vocals are phased and effective. This has a solid melody line and scorching lead guitars.

'Sunset' finishes the album with acoustic vibrations and symphonic synths. The mesmirising beauty the instrumental is as captivating as the album cover artwork. I would dare to suggest this is one of Eloy's triumphant releases and it certainly caps off the 80s that was devoid of innovation like this for the most part. Eloy managed to capture a modern sound without giving into commercialism and creating an album of progressive virtuosic musicianship.

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