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Moom - Toot CD (album) cover

TOOT

Moom

 

Canterbury Scene

3.28 | 10 ratings

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Guldbamsen
Forum & Site Admin Group
Site and Forum Admin
3 stars Hatfield resurrected!

When one thinks Canterbury, well at least when I think of Canterbury bands, I associate them with the 70s - preferably acts with either Dave Stewart, Hugh Hopper or Pip Pyle in 'em. So when I come across a new(ish) act that wields some of the same characteristics as this wonderful scene that I have come to adore like a long lost slipper, then I brace myself - I naturally set the bar high, even if that is a thing, that is bound to get me into trouble.

First of all, let me get one thing out of the way: If you're sitting out there with an abnormal quench for Hatfield & the North but have run out of cds to play - then throw away everything that's dear to you and place your order for this album straight away, because Moom are surely one of the few newcomers to the genre that successfully builds on that highly whimsical - yet eclectic sound of yesteryear. It is uncanny just how good this record makes you feel.

The vocals are very close to those of Richard Sinclair. They're smooth, gentle and lingering in all the right places. Okay maybe they don't exactly hit those same heights, but at least they wander loosely around some of those quirky and slightly bizarre lyrical themes as you'd hear in both Caravan and Hatfield. I mean, this album sports song titles such as: The Crocodillian Suite and the rather quaint I Can't Remember The '60s...I Must Have Been There. This is surely not music composed for auntie's funeral?

Here's some of my favourite lyrical moments, taken from the track The Void is Clear:

"Sausages sizzling in a frying pan, In jumps the bacon to do what it can, To oust the sausages from the pan"

and the one that keeps popping up in my head in times of immense pressure

"Strange to mention my helicopter tortoise collection, Get off my land before I fly away, Good woman, speak to me only with your breasts, And Sarah...Have you seen the pess?"

Luckily the Brit styled humour also seeps into the surrounding music. There's a distinct whimsical laissez faire approach to the guitar riffing, the funny and jumpy keys that at times portray a sound not unlike the school-yard girl with ponytails playing tick-tack-toe. For music that is supposed to be something serious and grown up, at least when you incorporate such spell-bindingly beautiful guitar solos as you'll find on here, the feel of the whole thing sometimes seem totally uncalled for, which is one of those things about Toot that I really treasure.

As all Canterburian offers, the music is based around a certain playful take on jazz fusion, although Moom can be seen as one of the more melodic entrepreneurs inside the genre. No National Health in sight people! They carefree jump from the nonsensical verses into crazy percussive bridges with the underlying bubbling organs, for then to break out in the occasional white boy reggae style. Yep I do hear some ska-like sections here, that not entirely unlike those you'll find in The Police's latter day material adds that fun boy attitude to the music - making you stomp, dance and jump like mad. Best to keep in mind that this music, above all, is about having fun!

On the other side of the equation, we have those few sections that grip a hold of your breath, wig and toes with the odd spine-tingling guitar solo - or perhaps the ethereal wonder of The Higher Sun that just grows wings at some point during the track - ending in some sweet vibrating from a reverberating didgeridoo. Just heavenly.

So why the 3.5 star rating, if everything is that well-played and put together(because believe you me, these guys can play - and to top it all off, they furthermore had help from The Enid mastermind Robert Godfrey with the mixing and other such studio fiddling)? Well, I might be a bit rough with these guys, but the remarkable parallels between them and the classic Hatfield & the North don't exactly score points for being original. Plus - there are places in this hour long offering that I personally would have cut - such as the last track, which coincidentally also is the longest with its 13 minutes. Again we're talking fine trimmings and minuscule tweeks, but combined it does rob them off that fleeting 4th star. A shame really, because the rest of it is loads of fun and right up my alley.

Guldbamsen | 3/5 |

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