Alongside the same years expansive concept album 'Fire, Water, Earth & Air' and considered by fans as the
high watermark of Jane's lengthy career, 1976's double-sided concert album 'Live At Home' finds the Teutonic
icons triumphantly blasting out a ballsy set filled with the group's trademark psych-tinged prog medleys,
spaced-out angular rockers and Pink Floyd-ish soundscapes. To all extents and purposes a greatest hits set
rounding up the best of their first five studio efforts, 'Live At Home' basically puts a sense of closure over Jane's
prolific - and best - period, their early days. Any post 1976 albums should be treated with caution by those just
starting to explore Jane's discography, though the opposite is also true; anything released before this definitive
live album is well worth checking out. Featuring a near-classic line-up of Klaus Hess(guitar, vocals), Martin
Hesse(bass, vocals), Peter Panka(drums, vocals) and former Eloy member Manfred Wieczorke(keyboards),
'Live At Home' shows just how Powerful Jane could be in the live arena, something that shouldn't come as a
real surprise considering that through the latter half of the 1970s they were one of the top live draws in
Germany, selling millions of records in the process. As well as rattling through most of 'Fire, Water, Earth &
Air', there is also an iconic - and lengthy - version of the groups mystical opus 'Windows', some scintillating
guitar work adorning the blues-tinged 'Lady' and a truly mesmerising delivery of the twelve-minute rock odyssey
'Hangman'. Maybe at times Jane's influences become a bit too obvious, though despite their obvious debt to,
amongst(many) others, the likes of Pink Floyd(whom many an over-zealous fan has compared them to) the
group's bluesy brand of spacey rock 'n' roll seems almost perfectly suited to the live setting. A fluid, slickly-
delivered album, 'Live At Home' is the sound of a group hit peak form.
STEFAN TURNER, STOKE NEWINGTON, 2012
stefro |4/5 |
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