Magma - MŰkan´k DŰstrukt´ẁ K÷mmand÷h CD (album) cover





4.30 | 701 ratings

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3 stars Since I heard Christian Vander in a long interview on a French Radio I was fascinated by the person and shared his love for John Coltrane.Christian Vander has like Zappa and his 'Conceptual Continuity' or Richard Wagner and his 'Gesamtkunstwerk' constructed his oeuvre around a personal mythology, that integrates music , lyrics, and graphic design : the famous 'Koba´an mythology', in big outlines a mythology about 'Koba´a' a planet with positive vibes in opposition to the corrupted planet Earth. Vander created even the imaginary language of the planet 'The Koba´an', which forms the basis for the vocal work of 'Magma'. 'Mekanik Destrukt´w Kommandoh' forms the third part of the 'Theusz Hamtaahk' cycle.

I liked the first two 'Magma' records and was surprised by the new orientation, that Vander took on M.D.K. The lighter instrumental Jazz-Rock/ Brass/Vocal arrangements leave place to a heavily vocal/choir oriented record, influenced by Carl Orff, Richard Wagner and the pulsating rhythm of Coltrane's Quartet, a combination which doesn't work too good IMO. The whole record, build up like a long suite( not unlike Coltrane' Love Supreme') moves on like a tank, a heavy pulsating rythm ponctuated by the alternating solo vocals/choir arragements. Even the light weighted soft Machine like brass arrangements of 1001░ centigrades leave place to unisono brass blocks. I was never a big fan of Carl Orff's Oratorios and I don't know to what extent Stella Vander is responsible for the vocal & choir arrangements, but the result is not very convincing either : a mixture of free vocal expression and over simplified harmonic blocks Ó la Carl Orff.

Now, the musicianship is excellent and the music itself is well executed, but I don't like at all this mixture of a neo-classical oratorio with a heavy jazz pulse and I am not very sensitive to the seriousness the 'Koba´an' dimension took on this record. This record is missing some lightheartness and humour.

Alucard | 3/5 |


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