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Radiohead - Kid A CD (album) cover

KID A

Radiohead

 

Crossover Prog

3.92 | 542 ratings

From Progarchives.com, the ultimate progressive rock music website

Tom Ozric
Prog Reviewer
4 stars You know, judging by the massive hit 'Creep', RADIOHEAD were never going to raise any eyebrows within the Prog world. At least, that's what I always thought. Fast forward a few years and the band churns out an eclectic run of songs on an album which did raise eyebrows of music lovers the world over, regardless of genre preference, O.K. Computer. To me, it went down O.K., but that was it. Finally, having acquired the lovely double 10" vinyl package, courtesy of 'Skully'z Records', Bourbon St. New Orleans, and a fine little shop it was, I had to wait for my return to the ole homestead to give it a whirl. What a surprise this album was from the get-go. Surely it sports an 'Indie' vibe, but the clever song-craft and thirst for new sounds saw the band stretching even further out of their comfort zone and trying different things. One can most certainly discern the influence of such Kraut bands as CAN and KRAFTWERK ; it's there in the grooves, the rhythmic patterns and the other-worldly quality of the emotional out- pour of atmospheric sounds. Vocalist Thom Yorke has a soft, uber-cool falsetto voice which serves the songs well, keyboards play a large part in creating their unique blend of accessible stylings with a more personal approach. Had it not been for the lightly techno flavoured 'Idioteque', this would have been a masterpiece, as all other tracks have interesting elements on offer. Of the highest-of-highs, opener 'Everything In It's Right Place' hits the spot instantly, the eerie 'How To Disappear Completely' is out of this world, the instrumental piece 'Treefingers' is reputed to be made up entirely of guitars but sounds like anything but, and there's a superb tune with 'In Limbo'. Absolutely mesmerising. I was surprised that Yorke utilised an old Harmonium (or Pedal Organ) for the final song, 'Motion Picture Soundtrack', which rounds off the precedings with a timeless antiquity. A most excellent album of 4 stars. This is a fine example of what defines the 'Crossover Prog' sub-genre.
Tom Ozric | 4/5 |

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