Spirogyra - Old Boot Wine CD (album) cover




Prog Folk

3.54 | 49 ratings

From Progarchives.com, the ultimate progressive rock music website

Tom Ozric
Prog Reviewer
4 stars Well, finally I have been lucky enough to track down an LP of this highly coveted album, however, its reputation exceeds its worth - to an extent. We are greeted with 'Dangerous Dave', which rocks out nicely, with a brief melancholic bit in the middle and back again. Hardly the stuff a prog-head looks for but the track is well composed. Van Allen's Belt is in a more sombre mood with acoustic guitar and piano. 'Runaway' strikes me as the most proggy piece on the album. It features 3 distinctive movements, some organ and lovely piano playing, vocals from Mark Francis and the beautiful Barbara Gaskin, and some bars in 7/8 !! Starting out uptempo, but finishing in a dreamy way with Gaskin's gorgeous voice - a well performed proggy-folk epic in under 5 minutes ! 'Grandad' is again a sombre piece of fragile beauty featuring a delicate Cockerham with his acoustic guitar, backed by Cusack's string arrangement. 'Wings of Thunder' is another rocker which is pleasant but without any 'twists and turns'. Side 2 opens up with the only long number, 'World's Eyes', of which the first half of the song recalls a bit of the eccentricities of their debut, 'St. Radigunds', containing a brief moment of manic energy which reminds me of zeuhl (don't ask how I get this, but it does), hyperactive bass from Borrill, some semi-tone riffs and strange vocals. The second half of the song settles into more conventional territory but still holds the attention. Most 'standard' track I find is 'Don't Let it Get you', a non-offensive ballad which doesn't out-stay its welcome. 'Disraeli's Problem' features more dreamy vocals from Gaskin, with mellow sections that I enjoy immensely. Last track, 'A Canterbury Tale', has a sombre first half which is beautiful, finishing with a multi-tracked Gaskin vocal backing with Cockerham singing over the top. A fine album for sure, but not quite the masterpiece I was hoping for.
Tom Ozric | 4/5 |


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