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10cc - Bloody Tourists CD (album) cover

BLOODY TOURISTS

10cc

 

Prog Related

3.27 | 112 ratings

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Evolver
Special Collaborator
Crossover & JR/F/Canterbury Teams
3 stars I have to give the band 3RDEGREE for send me their latest album, which reminded me why I liked 10CC back in the seventies. They had a combination of cleverness, crudeness and sophistication that has rarely been matched.

"Bloody Tourists" was the last 10CC album I purchased right when it was released (later albums I either bought used, or received promos). At the time, I listened to it a few times, and then filed it away. It really did nothing for me. A new round of listening now reveals that the album isn't the complete waste that I thought it was at the time.

When "Deceptive Bends", the band's previous album, was released, Eric Stewart and Graham Gouldman proved that they could carry on the group's tradition of humor and fun arrangements. The lyrical cleverness was there, even though there was a slight trend toward maudiln ballads. "Bloody Tourists" take another step away from the cleverness and fun.

Dreadlock Holiday is the most famous track on the album. It, for obvious reasons is a reggae laden pop song that displays the dark side of visiting the Carribbean island. It has some humor, excellent production, but it somehow lacks the allure of earlier songs. But the 10CC sound does appear throughout the album. The highly compressed guitar sound, the spacious harmonies, instruments and sound effects emphasizing lyrics. It just isn't consistent.

Shock On The Tube is a dream encounter with a girl on a subway. It has a similarities to I'm Mandy, Fly Me, but unfortunately give away the punch line at the beginning of the song. Anonymous Alcoholic is actually a very good portrait of an addicted drinker. Tokyo has some cool fretless bass, and a sort of proggy middle section. abd Everything You Wanted To Know About!! has a classic 10CC feel.

I certainly wouldn't recommend this to the 10CC newbie, but it does have merits. I rate this one just barely a 3.

Evolver | 3/5 |

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