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John G. Perry - Sunset Wading CD (album) cover

SUNSET WADING

John G. Perry

 

Canterbury Scene

4.11 | 28 ratings

From Progarchives.com, the ultimate progressive rock music website

Tom Ozric
Prog Reviewer
5 stars The first and foremost band to which John G. Perry is mostly associated with would be Caravan, as he would play the bass guitar and contribute some vocals to their albums 'For Girls who Grow Plump in the Night' and the live 'Caravan and the New Symphonia'. If I recall correctly, I have read that sometime in the 80's (?) John was involved in the designing of Bass Guitars for the famous company WAL. After Caravan, he found himself in 'Curved Air', to which he was credited with bass for their mediocre 'Midnight Wire' album (which I don't own anymore, and haven't heard for a decade). Having learnt in recent years of a proper solo release, 'Sunset Wading', I managed to acquire a nice Japan pressed vinyl for my collection and the music presented here is mostly impressive, highly instrumental, kind of incidental, short jams with some 'proper' songs. The musician list is delight to read through - Michael Giles (drums), Rupert Hine (keys) Geoffrey Richardson (viola/flute) and Morris Pert (perc) with contributions from Elio D'Anna (saxes/flute) and Carrado Rusticci (guitar) from the fantastic Italian prog band OSANNA (or NOVA, whom I haven't heard), Roger Glover (barely noticeable ARP synth) Simon Jeffes (Koto/arranger) and a string quartet. Right from the start, flowing water can be heard, with some soft piano, drums and bass guitar to which guest Beryl Streeter beautifully sings a short poem. How goes the Night? is a very atmospheric song featuring some great bass playing and rhythm, with some fine vocals from Perry. The tune itself really captures the essence of the night. The next few tracks are brief instrumental pieces, containing subtle, funky, jammy and brooding textures, all flowing along perfectly in an almost suite-like fashion. Side 2 kicks off with 'Dawn', which blends into 'Morning Song' and 'On The Moor' - incorporating background sounds recorded in the Lake District, Perry also reads a short poem. At times, the Bass playing is free, busy and meandering, but never self-indulgent. Geoffrey R's performance is particularly impressive. Recurring themes appear throughout, giving the album cohesiveness, and a flowing, almost conceptual theme to the project. The last track 'Sunset Wading' is an absolute stunner - blissfully serene and profound. I have no reason to attribute anything less than 5 stars to this, simply essential, lost gem of the Prog world.
Tom Ozric | 5/5 |

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