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Guapo - History Of The Visitation CD (album) cover





3.99 | 92 ratings

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Sean Trane
Special Collaborator
Prog Folk
4 stars After a four or five years hiatus, Guapo returns with what we could e'asily call their Mk3 era, since O'Sullivan has now left. Indeed, the band's musical scope had dramatically shifted from a noisy experimental and dissonant quagmire, to a much more palatable zeuhl-ish post rock (from Five Suns onwards). Despite bassist Thompson quickly dropping out of the picture, the trio (at first), then a duo, became a quartet with the preceding Elixirs. Replacing O'Sullivan is Emmett Emvin, but his style does not differ much much his predecessor, especuially that he's using more or less the same instruments, but mainly a Rhodes. Musically the band had shifted from a certain form of Zeuhl to an interesting Post Rock, then slowly growing into their unclassifiable brand of prog. A rather bland outer artwork, though the inner folds are much brighter and sunnier forest shots, which is rather unusual for the band. Also invited are a bunch of horn players (5) and two string players, though they're not overly present, and therefore this does not change the band's general soundscapes.

The album itself features three tracks, the first of which is a five-movement 26-mns Pilman Radiant. As usual the piece opens with a lengthy and calm intro, gradually picking up momentum and intensity, to lead us into the demented soundscapes and foray deeply in the entrails of the band's musical realm. The short (less than 5-mins) Complex 7 track can be seen as the intro of the 11-mins finale Tremors From The Future piece., which is filled with heroics and histrionics. Great stuff.

As a bonus, the ever-excellent Cuneiform label includes a DVD that features two concert footages from two different festivals (Nearfest 06 and RIO Fest 07) when O'Sullivan was still in the band. If both footage are very interesting, don't expect professional filming (the sound is quite OK, though), as it's mostly one (sometimes two fixed cameras shooting the scene. Nearfest's Five Suns film is in black & white and shows the amazing live dynamics of the band, despite two seated musicians. The French RIO fest (which yours truly attended) footage is shot in colour, but it would be an exaggeration to say that it is in superior quality than its companion footage. However, I had almost forgotten how the King Lindorm piece gad enthralled me back then. Yet another absolutely stunning Cuneiform and Guapo album, one that will give me further enticement to check them out live yet another time (seen them four times already) at this year when they return to this year's RIO fest.

Sean Trane | 4/5 |


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