HORDANES LAND

This is Enslaved's first real mini lp and it's with this raging beacon of vikinging metal that grabbed the attention of the metal worldl Hordane's Land is some primitive black metal that's taken to a new level by the simplistic yet eerily evocative keyboards. These guys were hardly out of the gate (and still in their teens) on this disc and they were already making major waves and crafting a sound unlike any black metal band from Norway or anywhere else in the world.

The first track Slaget I Skogen Bortenfor is a firestorm of Bathoryesque proportions that is crude but benefits from the added keys and melodic breakdowns that give us a bit of tranquility within the brutal blizzard. Also, it clocks in at 13 minutes and is broken up into 3 movements. It was my first exposure to Enslaved and has left an indelible mark upon me.

Next is Allfadr Odhinn which is a more "traditional" old school black metal track more in the vein of Bathory than Slaget with a more moderate pace. Its certainly not Enslaved's most exciting tracks but is still good nontheless.

Finally, Balfor / Andi Fara / Epilog reveals Enslaved's prog inclinations. At nearly 10 minutes of instrumental art, these Norwegians utilize unique, non-black metal chords and phrasings and plenty of time signature changes. To think that they were so young and already unleashing their brand of complex metal is amazing.

Overall, this is only essential to Enslaved fans and black/viking metal completists. Their best was still yet to be unleashed.

Hordanes Land is an EP released in 1993 the year before Enslaved´s album debut Vikingligr Veldi was released. I had some positive things to say about Vikingligr Veldi in my review of that album, even though I eventually concluded that it is an album only real fans will appreciate and therefore gave it 2 stars. Hordanes Land is an even more imature release than Vikingligr Veldi and understandebly so when you know the young age of the members in the band.

The music is typical early Enslaved black metal, which means long atmospheric black metal songs, drawn out, repetitive and very noisy. The production is almost unbearably bad. It´s hard to hear what is happening through the wall of noise. There are some simple synth playing here and there like on Vikingligr Veldi which helps create the atmosphere.

The musicians seems to be incredibly weak and sloppy but I´m sure it´s meant to be. Many early black metal albums seem very primitive and this is no exception. It´s normally on purpose though.

I don´t enjoy this one bit to be honest and I will not recommend this to anyone but the absolute completist or fans of early Norwegian black metal. I find it horrible and that´s not because I don´t like extreme metal, this is just too primitive and sloppy for me. 1 star and no recommendation from me.

Interesting..........

Originally released on CD as the last half of this now infamous/legendary EMPEROR/ENSLAVED split CD (an absolute must-have split CD), the three ENSLAVED songs was a sharp contrast to EMPEROR's violent sonic attacks. It was allready then pretty obvious that ENSLAVED was not real Black Metal. The only similarity is the BURZUM like vocals and murky sound. The music is pretty epic and at times; progressive. Piano is not a very much used instrument in Black Metal.....

On the other hand; the quality is not particular good here. The first track Slaget I Skogen Bortenfor is acceptable and a classic Enslaved track (which they still do live). The two other tracks goes on and on and on and on without any real purpose. Long tracks are good, but there must be some dynamics involved. This is a good EP and try to get it as a part of the EMPEROR/ENSLAVED split CD. My version is the second CD of the Vikingr Veldr album. I also recommend that one. Get both, in other words... This EP is the start of ENSLAVED's long career and it should be regarded as just that. It is by no means a disgrace.

2 stars

'Hordanes Land' - Enslaved (7/10)

An EP that is possibly more notable for it's inclusion on a split effort with black metal legends Emperor, Enslaved's 'Hordanes Land' shows the band playing their earliest style; a symphonically influenced sound of lo-fi black metal. While the band would arguably go on to create much more fulfilling works with their later, more progressively inclined music, the tracks on this EP stand as being some of the more memorable pieces of the early 90's Norweigian black metal scene. By incorporating some sparse acoustic guitars, keyboard instrumentation and some more thoughtful guitar sections than you might typically find on a classic black metal album, 'Hordanes Land' should instantly appeal to a fan of the black metal style looking for something a little bit different from the technical onslaught of the genre.

While 'Hordanes Land' certainly has more of a forward-thinking sound to it than most it's contemporaries, make no mistake that this is a black metal album. Rapid bursts of guitar fury typically emphasize energy and power over technical achievement, and there are the typically harsh vocal snarls of frontman Grutle Kjellson to contend with in the mix. Although this maintains a pretty typical sound for black metal at it's core, it's what the band adds to the traditional formula that makes things interesting. There are some subtle sections of acoustic guitar thrown in at the right moments, and alot of different keyboard arrangements to give the music an added, epic flair.

The first track 'Slaget I Skogen Bortenfor' opens with some pretty fake sounding choral and symphonic arrangements as the traditional black metal fury erupts into something more conventional. With the speed and intensity in check under the blistering vocal display of Kjellson, the same fake symphonic tones are used, but to a surprisingly good effect. The second track 'Allfadr Odinn' revolves around the great god of Norse mythology, and has an almost medieval sound from it's use of haunting organ tones. The most keyboard heavy track on 'Hordanes' however is the epic song 'Balfar,' which does a very good job of showing the band's growing viking metal direction. This is certainly the highlight of the album, and unlike much black metal which appears to be an unrelenting assault, Enslaved makes 'Balfar' into a song of dynamic, throwing in heavier, darker sections, and lighter acoustic atmospherics to build the tension.

To the fans of Enslaved's later work, 'Hordanes Land' may sound a tad too unpolished and rough. Compared to their more recent material, it certainly is, but the haunting atmosphere and striking composition is in check. While it may be Emperor that gets the credit for introducing all of the symphonic elements to the realm of black metal, Enslaved shows here that they can do it just as well.

Three lengthy songs of epic, dynamic black metal make up Enslaved's debut EP, executed with above average proficiency, thematic alertness, and masterful orchestration of pace according to conceptual context. These grand songs inspired by tales of secret wisdom and dark mystery derived from Scandinavian folklore are constructed out of a handful of inventive, thematically perceptive riffs which are like folk melodies played with the speed and energy of black metal, with occasional acoustic backing, phrased in extended passages representing a long, meditative journey through harsh conditions, interrupted with sections of blasting mayhem to portray anticipated yet unpredictable encounters of violent confrontation. Though the production is ambiguous to instrumental detail, particularly the drums, one can still be amazed at the sheer intensity and skill of these blurred passages of frenzied violence in which riff-shapes discover a freedom within open-ended distance of sound to emphasize the full range of tonal noise emerging from each chord. The extension of phrases allows a gradual development of elemental unity, in turn supplying each passage with its own meaning as an essential aspect to the substance of the entirety. In each song we hear extended passages of contemplative beauty, moved by an energetic rhythm as defined by a measured tempo and lead guitar melodies of reflective character, sometimes accented by simple, dramatic keyboard patterns; these slower, more meditative movements alternate with passages of breathtaking attacks of violence, marked by chaotic, fast riffs in powerfully unrelenting rhythmic surges, enhanced in hostility when Grutle's berserker screams emerge to provide a quality of wild aggression and bloodthirsty vengeance. The music is mighty and beautiful, powerful and mysterious in its sense of adventure and communication of the ancient wisdom and warrior spirit of the Viking age applied to modern life.

ENSLAVED's first official release HORDANES LAND came out as an EP just a year after their 2nd demo "Yggdrasill." It was released independently at first and then a few weeks later also as a split with the first Emperor EP. I have the remastered edition that was released in 2004 with the debut album "Vikingligr Veldi." The lineup is the same with the two founders Ivar Bjørnson on guitar, keyboards and vocals and Grutle Kjellson handling bass. Trym Torson is still on board on drums.

There has been a major leap in songwriting on this first release as the three tracks are much more varied and complex than the demos. The track "Allfáðr Oðinn" which is included on this EP was the strongest and most progressive on "Yggdrasill" and the band recognized that and used it as the template for their further evolution down the path of ever more progressive black metal. Already at this stage they have a unique sound that despite keeping the basics of second wave black metal in tact, they offer a whole variety of ideas that is layered upon it.

From the opening track "Slaget..." that offers a somewhat artificial sounding choral chant we get a strange keyboard progression that is actually quite catchy and succeeds in overpowering a brutal buzzsaw wall-of-sound with the typical black metal style of shrieks and growls for vocals. The track also shows a much more epic approach in the music as it is divided into three distinct acts and just creeps over the 13 minute mark. In addition to brutal black metal parts there are slow sections that even have classical acoustic guitar sections in the mix. The other two tracks are no less brutal in their delivery, catchy in their hooks or progressive in their developments. They both are well over the 7 minute mark.

The production is still lo-fi but not as so as on the demos. I find myself listening to this EP a lot for although it lacks the complexity of 21st century releases by the band, it is a satisfying listen that is interesting for its own sake as well as putting the band's history in some sort of context. I enjoy this early period of ENSLAVED just as much as the later releases. This is a surprisingly well crafted musical experience and this is only the band's first release. It demonstrates that the band not only mastered the brutality of black metal but that they could also adapt it to include some truly interesting and diverse elements. For me this is beyond for collector's only and I highly recommend this.