MORNING

4.5 stars. Really.

This album was a pleasant surprise considering nobody reviewed it.

Much different (and better IHMO) than their debut album. This album will sure to please anyone who liked the apocolyptic feel of King Crimson's Epitah with the mellotron swirls and melancholic melodies that reflect doom.

For anyone who likes mellotrons, I highly recommend this. The vocalist at times reminds me of Peter Gabriel but he's not a clone in any way/shape or form.

In addition to the mellotron swirls and sometimes dramatic vocals, it was a pleasant surprise to hear vocal harmonies much in the way of early Crosby Stills and Nash.

The only weak song on this album is the closing track Josephine which should have perhaps been left off the album. It's not a horrible song. It's just a straight ahead rocker with no progressive tendancies and has nothing to do with the general flow of the album. Consider that song the Cat food of King Crimson's 2nd album.

Other than that, there's really not much more to say. If you like the King Crimson Epitaph sound with a little bit of the Gabriel delivery, you should not be disappointed. Like most other progressive albums, a few listens to let it grow.

Best track is Dragon's Maid but they're all good except for the closer.

I found this album quite a long time ago and I still don´t know much about it. Only one review? I´ve never listened to their first CD but this is surely a transitional work as far as I can see. What they would come up with is anyone´s guess, since they broke up soon after Morning was released. It´s hard to find out where they were really aimind at (believing they were aiming at something, of course). The CD is a mixed bag and lacks direction.

Let´s see: they start with the 60´s influenced, beatles-like, Morning Song. Not an outstanding tune. Then jump to the whimsical, storytelling, of The Princess And The Minstrel. Third track Wind becomes more symphonic, with strong King Crimson influences on The Dragon´s Maid (my CD has this track so badly mixed I think it was a defective copy). Track four, Carnival, is totally Crimson´s Epitaph with some changes here and there. Then comes the short instrumental Schlittenfahrt , that leads to the strightforward blues rock Puppet Master. The acoustic, folkish, Tommy´s Song continues this saga without adding much - like most of the stuff here it goes nowhere. Josephine reminds me of one the Monkees tunes.

Ok, they were good musicians and could actually handle a wide range of styles, but the band at the time could not decided what they were going to. Nor come up with real strong original material. The best track is a King Crimson reharsh. Production is only average. This is definitly for collectors and fans only. 2 stars.

That proto prog albums even exist post 1970 is mystifying to me, but I suppose that is a pitfall of our man made classification system. I guess it would be more accurate to say that proto prog seems like an embryonic sub genre to me, and I can't fathom why a baby would continue to crawl when it now possesses the faculties to walk and run. Nor surprisingly, apart from a few landmarks, the lion's share of such late model recordings are of little interest. "Dawn" fits snugly into this grouping, with similarities to all the usual suspects (Cressida, Fantasy, 1960s psych) but nods to the Moody Blues and King Crimson.

Probably the most unique piece is "The Princess And The Minstrel", with spoken verses and harmonious choruses that recalls "The Balance" by the Moodys but with an essence of medieval minstrelsy (in both subject matter and style) redolent of The Incredible String Band. Both "Dragon's Maid" and "Carnival" offer the remaining highlights and the most pure expression of an erstwhile "modern" progressive voice, thanks to some powerful mellotron blasts and majestic vocals that suggest Greg Lake in his King Crimson suit. But I do not mean to suggest that this is top drawer paraphernalia.

The remaining tracks are dull, limp snippets of psychedelia with no relation to their predecessors. It's hard to conjecture the evolutionary path of this album, and whether the group found its new voice and shoved the best material up front, or simply couldn't muster 40 minutes of more adventurous material so tacked on ersatz and passe tunes as filler. But the net result is the same - half a good album and half a poor album adds up to a Wind that, while not foul, fails to invigorate.

The second offer from 1972 named Morning found Wind struggling to survive in those hard times those who have the CD re issue from Trick will find there their history and their ups and downs of their career+ some pictures and many more. Now this album was a big let down of their great debute album. This album sounds bland, soft, mellow and totaly unintresting, musicaly speaking, is like the band is running aout of steam and lost confidence in their song writting possibilities. I was dissipointed for sure. The good moments are few in the opening track Morning song or in Puppet Master, the rest are almost boring, specially The Princess and the Minstrel or Dragon's maid are totaly awful. Where are the great heavy guitars and keyboards from their previous album, is like a diffrent band here, no wonder they split up soon after. The CD re issue has a bonus track Josephine, their last ever compose piece from 1973. Hardly 2.5 stars, an album to avoid, Wind was Wind on their first album, on this one they sounded like a softer and unintresting version of Moody Blues. Pity because the art work is quite fine. One of the musicians from Wind, the drummer Lucky Schmidt will pursue his career with the jazz rock band Aera.