LUKISAN

the first album of indonesian jazz rock music prodigy

full mixture between Pat Metheny Group, Miles Davis Bitches Brew Era and weather report

my best track is kerinduan that means "the longing for my beloved hometown" in the local language manggarai

Simak Dialog band founded in 1993, which until now has been changing personnels numerous times. Consider the dialogue in the year 1995 released those who first album titled "PAINTINGS" (see the dialogue until currently sdh released four albums). There are nine compositions on the album Lukisan.Pada Side A: Times have changed, Way Home, For REMEMBER, Not Absolute. On Side B: Conscience, Never Ended, Longing, Dark, Far. The process of this album release through a process long enough time span in which the recording is in mid December September 1994 and early 1995 until the end of this album released by Suryanada Indah Prima / Legend Records. Last time I Find dialog's appearance is at the Plaza Semanggi year forgotten and the Goethe Institut (Menteng) in May 2005 with the formation of minus Indro and Arie Ayunir.

Formation on their first album were: Riza Arshad (Piano Acoustic, synth, bass synth), cultivation (Acoustic & Electric Guitar) Indro Hardjodikoro (Electric Bass) and Arie Ayunir (Drums, cymbals)

Changing the composition of Ages Past (Riza Arshad creation) appears with a stomping beat, bunyi2 Synthesizer on the composition of these reminds me of the Indonesian fusion bands who perform in an era 80s in the event Light Music Contest / Band Explosion, see the dialogue embrace the kind of music adult contemporary progressive jazz. Composition Times have changed, Way Home (first album), (Getting Closer, The Same Old Car, One Has To be) (album-2) is komposisi2 prog jazz most of my favorite lagu2 mereka.Terakhir view has changed its composition played Age ie the event Jazz Goes To Campus in 1999, after it had lg gk see Mark playing TSB composition. The composition of the Way Home, Riza Arshad intense play on piano keys and his Kurzweil. Composition MUST REMEMBER (creation cultivation), Composition Not Absolute (Riza Arshad's creation). composition of Conscience, is trying to communicate between the keys of a piano, guitar and drums her Ayunir Arie, fast and flat turns. Composition Never Ended (ciptaaan Riza Arshad), composition with lyrics Longing speak with vocal Flores Fika, Gideon Hallatu and Ivan Nestorman (NERA), the composition of lingual flores This reminds me of the band has also been used Unread PD flores their albums like: Prototype (band from bandung who jg never follow the event formerly Light Music Contest but failed). Longing longing tells about a person will land birth & home environment. On Longing composition TSB Riza Bass synth uses. Composition Dark Indro creation, with Bass nomination. Far composition Riza Arshad creation with a piano solo.

Here is a brief profile Find Dialog personnel: Riza Arshad is Alumni ITB Design, studying classical piano at the age of Six years. Had studied at Bambang Nugroho (Bhaskara) dll.Riza Arshad using YAMAHA G2 Grand Piano and synth Kurzweil. Tohpati learn the guitar since childhood, studied at the YAMAHA (PMMC) and some of his achievements include: Best Guitarist DKI Band Festival was in 1985, Best Festival Band Guitarist Java 1989, Best Guitarist Pre Yamaha Light Music Contest as Jakarta, and Best Guitarist Yamaha Band Explosion 1989 National Level. Tohpati Splash has also joined the band around the year 1987/1988. Indro Hardjodikoro. Taught himself and had studied with few jazz musicians to join the land of Halmahera air.Pernah etc. Arie Ayunir, playing drums and cymbals, In the year 1994 with Squirrel his band won first place in the Yamaha Light Music Contest (LMC) 1984. On this album Arie uses Gretsch drums.

3.5 stars. An interesting debut from this Indonesian band as we get Jazz Fusion without the strong ethnic vibe that will be featured on their next album and continued throughout their careers so far. So this just doesn't sound like them and there's a reason this has only ever been released on cassette. They could have re-issued it but I think their happy with this being obscure. This is really good by the way but falls short of being memorable. Released in 1995 it clocks in around 48 minutes over nine tracks. This is mostly the piano soloing over the bass and drums while sometimes the guitar has that role. Synths solo too but that's rarer than the guitar. A four piece with the traditional drums, guitar, keyboards and bass setup which they would ditch after this album bringing in multiple sudanese percussionists and other ethnic sounds. A classy little album that sounds like it could have come from England. No horns but jazzy is the word.