SEMI

Not simply loud nor fuzzy this Japanese psychedelic vanguard should be ... first of all, please try the first track. Yasuhiro's mellow, acoustic-flavoured, relaxing but somewhat cynical, distorted guitar solo is exactly the symbol as not only aggressively improvised but also well-arranged and refined psychic energizer. They should have gone away into the endless deep underground ... why can the audience stop their play, and why can we stop playing their album? No matter what happened, we should follow their unlimited passion play thoroughly.

And surprisingly they have colourful appearances - sometimes they can show loud, fuzzy improvisation full of feedback, with a Japanese common psychedelic progressive style, sometimes heavy, bluesy, sticky, dry-fruity riffs like Krautrock, and sometimes simple guitar shouts with a hard-edged rhythm section. It's very amazing the psychedelic world around them should be not only loud but actually QUIET, delightful ... their inner space might be unfathomably deep into mind-expanding core itself. Each player and instrument can be so unrivaled but mysteriously not so pretentious from others - yes, they can be well-balanced I wanna say. The three SEMI founders have never changed nor paused, and constructed the peak of Japanese Psychedelic Rock scene, not climbed up the peak already constructed by other artists.

Their four-hour live stage should not be too long for us freaks to enjoy without breathing - absolutely, we can see the novel milestone of Psychedelic Progressive Rock.