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ADOLESCENCE OF AN ANCIENT WARRIOR

Ataraxia

Crossover Prog


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fabrizio.moro
3 stars Another record worth a review..... this only effort by this ensemble came in 1986, wrapped in a beutiful cover with dwarves and elves. And also the music envelops you in a magic storm of keyboards and guitars tunes, but.... not everything goes so fine: a little weakness of the singer and a sound production rather caotic and with poor quality stop the work to fly higher. But after all, a rather good production, in the vein of Genesis (wind&w. period) and Camel.

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Send comments to (BETA) | Report this review (#26972)
Posted Saturday, December 04, 2004 | Review Permalink
Progbear
PROG REVIEWER
2 stars One of the weaker offerings from the sympho-prog explosionette in 1980's Japan. Fairly flimsy synth-oriented sympho-prog, bordering on neo-prog. Singing bass player Hideaki Murata tries for that Gabriel-esque theatrical thing, but he doesn't have the pipes. The title song is an attempt at the "multiple voices" thing a la "The Battle Of Epping Forest", and is a complete joke. Lyrically, it's totally laughable, with even worse English lyrics than Novalis' notorious BANISHED BRIDGE. "Gabble" especially. And Murata's mush-mouthed delivery is no help.

The low point is a short vocal song with electronic drums whose title I can't replicate here: its title is the concatenated "ng" glyph found in the pronunciation key to some dictionaries. It's followed by the instrumental "Plug Cord II", which is probably the album's highlight, along with the surprisingly lively "A Low Value Counting Clock". The album's "epic"-the thirteen minute "Against The Wind-is predictably disappointing, just pointless and meandering.

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Send comments to Progbear (BETA) | Report this review (#44780)
Posted Monday, August 29, 2005 | Review Permalink
erik neuteboom
PROG REVIEWER
2 stars When I discovered the wonderful Japanese progrock in the early Nineties, this album was often described as a smal gem. The cover art is stunning, in the vein of our Dutch master Hiernonymus Bosch who often blended religion, surrealism and horror. The music is less captivating, it has echoes from mid-Genesis featuring Hackett-like guitar and Banks-like keyboards. The compositions has some good momens but the poor vocals and monotone drumming are very irritating. I recommend Outer Limits, Pageant, Gerard and Ars Nova as starters to the Japanese progrock.

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Send comments to erik neuteboom (BETA) | Report this review (#44792)
Posted Tuesday, August 30, 2005 | Review Permalink

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