LONDON SYMPHONY ORCHESTRA VOL. I & II

3.5 stars really!!!

Now this is Zappa at its most serious, in fact so serious that we're not sure that it is the right disc in the jewel case, so serious that we're actually a bit worried to Frank's mental health at this point of his life, so serious that this album is a bit boring, unless you happen to be a Stravinsky fan, in which case you're in heaven. Zappa ha always shown his infatuation with XXth Century classical music almost from day one of his recording career (Absolutely Free is the first album featuring some), but in general this was embedded in his doo-wop fascination, his jazz-rock penchants and his obsession of humour (usually tacky or tasteless >> his scatology phase) in music; that last aspect was often ruining (or drowning) the often interesting music in a sea of absurdity and even ridicule for the sane listeners.

I'm rather not used reviewing classical oeuvres, so I won't go deep into the music (rarely do anyway) to describe it. If you're familiar with Stravinsky's oeuvre like the Rites Of Spring or the Firebird Suite (just to mention those), than you won't be phased out with Zappa's composition and arrangements, here. And I mean that this is classical orchestral music in the Stravinsky way, which means that the music often veers slightly dissonant, but not more so than good old Igor did. Fortunately for most of us, Zappa sticks to Stravinsky-type of classical music and doesn't try to add some Edgar Varese, Pierre Boulez or Stockhausen influences in these two albums as he would for Civilization Phase 3 or his Boulez album, so Orchestral Favourites is still fairly accessible for us common mortals. It's relatively pointless to start describing the individual tracks as they are all too Stravinsky-esque to be described as anything but that. Just know that Vol I is in three tracks that are subdivided in two or three sections, while the second isn't: four undivided tracks, including a sidelong Bogus Pomp that earns its name in sorts, especially if you're no Igor fan. Only the closing Strictly Genteel sticks out from the lot (that's both albums), being slightly more accessible and more "grand public" with its atrocious pomp.

This two-disc set is the compilation (re-titled London Symphonic Orchestra under the Zappa name) of the two separate Orchestral Favourites albums recorded a few years apart (83 & 87), but you wouldn't know it from listening to both to compare. Certainly a very ambitious oeuvre, even though that is not what I expect from Frank, because this is absolutely not groundbreaking, since everything was said during almost 100 years ago. Not essential, but definitely good enough if you care for Zappa's classical aptitude, no doubt this will be right up your alley.

When Rykodisk remixed and reissued Frank Zappa's entire catalog after his death, they chose to couple the two London Symphony Orchestra albums together in this double CD package. And they did a nice job with them. Aside from the remix, that sounds a bit better than the Volume 1 single disk, they reordered the pieces so that companion pieces, Bob In Dacron and Sad Jane are sequential, and the two "200 Motels" based pieces are also in together.

The music mostly has as air of Stravinsky, aklthough the style is all Zappa. A few songs, the "200 Motels" pieces, Bogus Pomp and Strictly Genteel and Envelopes are re-orchestrated pieces that appear on other albums, and occasionally you can hear flashes from other well known Zappa songs (for example: there is a distinct line from Fembot In A Wet T-Shirt that pops up in the first and third movements of Mo 'N Herb's Vacation.

This isn't the best of Frank's orchestral albums, but it is a fine classical album.

Review #158

Let's start with the obvious: this is not a Progressive Rock album, this is anything of a rock album, this is absolutely a Classical Music masterpiece. Frank ZAPPA had already experimented with Classical Music in a lot of his earlier recordings but he hadn't left his rocky style out of them; even the "Orchestral favorites" album has some scarce and very discrete rock patterns.

We all know that Frank ZAPPA was a very chameleonic musician and his works always are as homogeneous as a green salad: the Classical Music mixed with Jazz, the Blues, Funk, Hard Rock, Reggae, Comedy Rock, and the most diverse collection of genres and rhythms are always present in his records but he really showed that he could create a solid kind of record without even thinking if the audience was going to like it or not, he could be as serious and fancy as comic and disgusting writing songs about blow-jobs.

This record, along with "The perfect stranger", "Francesco Zappa", "The yellow shark" or "Orchestral favorites" is the best example of how an amazing composer he could be in the most elegant way.

Do not expect any Rock from this album.

SONG RATING: Bob in Dracon, 5 Sad Jane, 4 Mo 'n Herb's vacation, 5 Envelopes, 4 Pedro's dowry, 5 Bogus pomp, 5 Strictly genteel, 5

AVERAGE: 4.71

PERCENTAGE: 94.29

ALBUM RATING: 5 stars

NOTE: I did not include this record on my TOP 100 favorite Progressive Rock albums of all time because, once again: this is not a Progressive Rock album; however, if I ever make a TOP 100 of my favorite Classical Music plays, this will be one of the highest places.