MOLECULES OF MOTION

There's no shortage of recent albums from American modern electronic/ambient icon Steve Roach that offer drifting drones of impossibly subtle touches, but here the atmospheric master offers up one of his spaciest and most urgent works in some time, 2018's `Molecules of Motion'. Roach infuses his lulling, meditative synth washes with unceasing yet elegantly implemented rhythmic touches, making it not only one of his most colourful, exciting and actually quite accessible performances of the last couple of years, but one teeming with life and full of all the movement at its core that the album title promises.

The opening title track `Molecules of Motion' and `Grace Meditation' (both running around twenty-four minutes each) set much of a template for the entire disc. Carefully unfolding synth veils float and weave around jangling sequenced patterns, gurgling electronic distortions and seductive enveloping ambient shrouds, with the latter piece being the lightly more coolly soothing of the two. Full of mystery, expansive aural presence and the slightest hints of recurring little melodic touches rising and retreating back and forth, they even surge into brief ringing darker edges and mind-expanding contemplations. `Phase Reverie' holds graceful and gently lethargic synth caresses to lull the listener into a drowsy dream state, and closer `Empath Current' dances with ringing sequencer programming over placid ambient pools, achieving a perfect unison of carefully frantic and sparsely laid-back before a ruminative come-down in the final minutes.

Despite a vast back-catalogue of studio albums, collaborations, live performances and archival releases, it can be extremely daunting for both newcomers and more restrained collectors of Roach to know which works to approach, but `Molecules of Motion' makes for ideal next choice to look into for many reasons. It's far removed from his more challenging droning works, the constant rhythmic elements mean it's full of liveliness and movement, and it even delicately reminds of German Berlin School originator Klaus Schulze's deep-space atmospheres anchored by driving programming in many spots.

`Molecules of Motion' is truly one of the most thrilling and defining works from Roach that can rank among his best releases, from an artist that always puts out intelligent and thoughtful works that have never unashamedly attempted to ever be commercial, and prog-electronic fans are going to find endless things to love about this one.

Four and a half stars.

With Molecules of Motion master of electronic music Steve Roach has produced one of his most delightful and surprisingly refreshing albums in some time.

1. "Molecules of Motion" (24:22) If some of Stefano Musso's or Laraaji's zither tracks were sped up and set within some Berlin School electronic sequences, this is what you might get. Definitely a modern computer take on the Berlin School art of sequencing. (8.5/10)

2. "Grace Meditation" (23:40) my favorite song on the album and the one that got me to buy it. The multiple octave lower register synth sequence is just awesome--especially for the genius fact that it's mixed in the foreground while the spacey synths are in the background. There are also several awesome "key changes" throughout the song that keep it interesting, make you think and observe different elements of the sequence. Absolutely brilliant! Even the excessively long fade is okay by me. This is what Progressive Electronic and modern Berlin School music should be sounding like. (10/10)

3. "Phase Reverie" (10:11) bouncy, quirky, yet still hypnotic and beautiful. (9/10)

4. "Empath Current" (15:03) fro the first nine and a half minutes there is a constant flow of nice spacey slow-attack and slow-decaying synth wash notes and chords lilting gently in the middle while beneath it plays a multi-track sequence of rhythmic staccato computerblipping, with the the tracks purposely out of synch with one another. Interesting. I'm not sure it works for me. During the final five minutes, the rhythm track has been faded out and is absent allowing the spacey synth to float us around until it, too, eventually fades away. (8.5/10)

4.5 stars; a near-masterpiece of progressive electronic music with one certifiable masterpiece of a prog epic!