NEMESI

This second Nova Mala Strana album turned out to be quite the pleasant surprise. The band is from Genova I believe, and existed from the early 90s to the late 90s but beyond that there is little bio info.

NeMeSi is a large improvement across-the-board over their 1994 debut album. The material and playing are better as is the sound. In my old review of the debut I noted that occasionally it sounded like the band were "recorded with a single hand held mic pointed at the opening of a 200 foot mineshaft where they were jamming at the bottom." They apparently did escape that mine for the recording of this one, thankfully.

This is really heavy fantasy music, I love it. Think of those 90s Italian bridge bands that were beginning before the RPI resurgence, so there were metal, post-punk, and neo-prog influences. This band certainly has some of that but there is also a heavy Gothic vibe, a "dark" feel similar to stuff like Antonius Rex and Akron. Dark and heavy metallic tinged, hint of symphonic dramatics mixed with the exuberant theatrical flair as only the Italians can do it. The long tracks build with mood and sinister feel, get very heavy and rocking, and again will fade to a longing uneasy emotion. There are simply gorgeous instrumental passages of keyboards and guitar that assure this unheralded gem will be played often around here. Spooky, foreboding, and dramatic. Dio would have loved this band opening for him! There is a bit of that kind of Dragon-ey vibe to the whole affair. The songs enchant by changing motifs several times per track, they keep it very interesting rather than just locking into one groove and riding it. They may rock for a while and then suddenly these spacey keys and piano, vocal improv back and forth with guitar or key leads. They can and do try everything to conjure an exotic beauty, something mystical. If often succeeds. "Blood and Tears" was a favorite with the soft keys, hand drumming, and exploring guitar lead just drifting for long periods.

As with the debut however, many music fans will not get past the powerful (sometimes overbearing) operatic vocals of Antonella Suella. (She wrote the songs as well.) I had described her as having some attributes of Siouxsie and Patti Smith but she is coming more from the classical realm, in fact in the 2000s she was an operatic vocalist for an experimental contemporary classical/electronic outfit. Here she wails to the heavens from the top of thunderclouds, commanding these songs like a Goddess. Personally, I freaking love her vocals as I do the pure ballsy approach of the band on NeMeSi.

There are still some sound and production issues here, common to many of the independent progressive 90s bands, but all in all this is a big improvement over the first. I would urge anyone interested in this band to start with this second album, if you love it, then maybe go back and try the first. I would love this group of people to make a new album with today's technology, it could be fascinating.