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PFM & PAGANI - PIAZZA DEL CAMPOPremiata Forneria Marconi (PFM)Rock Progressivo Italiano |
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HIGHLY RECOMENDED!





The negative side to this are those sections that seem to coincide with Franz Di Coccio stepping in front of the drum kit. As other reviewers have pointed out Si puo' fare and the ensuing jam are pretty poor. I'm not overkeen on the audience participation section of Celebration either. And actually I think that Franco Mussida and Flavio Premoli are more than capable of handling vocal duties. Di Coccio is a tremendously energetic and enthusiastic figure though, whether behind the drums or in front.
However the plus points are: Mauro Pagani back with the band, if only for a one off. He really adds to the sound, with his woodwind and vocal contributions as well as violin; along with Lucio Fabbri on violin. The usual high standard of musicianship and sheer sense of enjoyment given off by the whole band.
One small additional gripe, I feel Franco's guitar is a little low in the mix. A minor complaint though.
All in all, excellent though. The DVD in particular is getting frequent plays in my house.

PFM are like the wine, the older, the better, they play as if they were 20 years old but with more experience, they capture the audience, mostly formed by young people, some of whom probably never saw PFM before but all of them with the older fans are jumping, clapping and enjoying together this great show.
Won't enter in many details of the songs because all have been largely reviewed in the original release but they added so many new things that have to be mentioned.
The band starts, with the amazing Classic/Baroque introduction called "Rain Birth", with Premio in the pianoli, Mussida witha n acoustic guitar and Pagani playing violin plus flute make a fantastic job, I wish it could last longer, but as I said before it's only an introduction for "The River of Life" which is the perfect complement that proves how well this guys can blend Classical and Rock without sounding like something artificial, but instead flows gently as if both genres were meant to be played together.
In "Photos of Ghosts" the star is Premoli who does an outstanding Jazzy piano work and adds his vocals still with strong accent, but who cares, after so many years we are used to it.
In "La Carrozza di Hans" the star is Mauro Pagani, who also takes the lead vocals but Franz Di Cioccio almost steals the show with his strong drumming.
Apart of it's natural beauty, "La Luna Nuova" sounds incredible because Fabbri and Pagani show a spirit of cooperation rarely seen in two musicians who play the same instrument, when one plays the violin, the other stops but when Fabbri gets his turn with the violin, Pagani supports him with the flute, incredible show at this point.
"Si Puo' Fare" gives us the chance to listen Piero Pelú on the vocals, the guy has a great voice, but sounds out of place in PFM, the advantage is that the track is one of the weakest, this time supported by Di Cioccio in the vocals while Roberto Gualdi takes the drums.
"Promenade The Puzzle" is a song that never convinced me, but the guitar intro of Franco Mussida is extremely beautiful, so it alone pays for the track
"Siena Violin Jam"n is almost a friendly contest between Fabbri and Pagani, each trying to do their best with Patrick Djivas playing in the bass a constant chord, which if I'm not wrong is a modification of "Heaven's on their Minds" from Jesus Christ Superstar, excellent exhibition of virtuoso performance.
Now, the "William Tell Overture" is a classic in PFM repertoire, but this time done with two violins is better than ever, probably the best version I ever heard of this song by the Italian icons of Prog.
The show is closed with the breathtaking "E' Festa" (Italian version of Celebration), and it's the chance for them to do what they want and show how much they still enjoy the stage, in an acrobatic movement Gualdi replaces Di Cioccio in the drums, Di Cioccio makes the crowd sing and everybody has a good time, very nice closing for a real "Celebration".
A must have for any fan of Premiata Forneria Marconi with a double advantage, you can enjoy the DVD at home and the CD in your car, five solid stars for one of the best DVD's I ever seen.

Now, to be honest: the track selection is not top notch. Only a couple of historical songs from the band are featured here. And this is quite a let down to be honest. I guess that for this particular occasion, they should have rehearsed more about their huge classic and great repertoire.
Unfortunately, what's left here are some fine showcase for Mauro while some more of their great songs should have been played. I am quite surprised that none of the reviews mentioned this aspect so far.
I was really expecting more from this live set (probably too much). I would have dreamed of "L'Isola di Niente", "Impressioni Di Settembre", "Il Banchetto" for instance. As a very old fan, I'll have to make it with a great version of " Carrozza di Hans". But I was waiting for more. Much more.
The early folkish sounds from "Luna Nuova" are only a short interlude amongst a rather jazzy business case. You might know that this is not my top fave kind of music; but the band quickly leant towards this style in the late mid-seventies. Even if superb symphonic and very much "Genesis" feel are part of this song. One of the best though of the whole live set for sure.
This album is a lost opportunity IMHHO. It should have hold many more PFM classic and great songs instead of a "Un Giudice" or some " William Tell Ouverture". I still consider this album as a good work but this is by no means their best live effort and if your are new to "PFM", this is not the best live entry at all.
What else? Well, not too much, I'm afraid. A succession of high technical skills, virtuosity and maestria. But the essence of great music is not held here. "Mr. 9 Till 5" is probably one of the best moments to be experienced during this live album.
One could also have expected more enthusiasm from the crowd; but it is not present: only some polite clapping between numbers, period. I would have liked to end up to a higher rating for a band that I quite like, and also for my 24th hundred review. But this is it: three stars.
Too hectic, too little classic tracks, some fine instrumental ("Siena Violin Jam", "E Festa") but globally only a good album. As such: only three stars.
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