STOYZ VI DOZÉVÉLOY

Honeyelk was an extremely short lived French Zeuhl group, who released but two albums, both in 1979. This second, Stoys Vi Dozévéloy, is a very jovial and upbeat brand of Magma's genre, with strong dependence on saxophone. Despite having the album reissued somewhat recently (or so I heard), Honeyelk remains an extreme obscurity. Sound quality is absolutely terrible, and is the biggest hindrance to the album, though not the only.

The compositions are somewhat uninteresting. There's a bland decency to the songwriting, that makes it less than memorable. But, the compositions are by no means bad, and the playing is all very good (drumming by Christian Blanc being the most noteworthy). It's also really, really short. It could very have been an EP. Apparently, when the album was reissued some bonus tracks were thrown in, but I've heard those were less than essential.

Honeyelk is a completely alright Zeuhl band. It is no starting place for the genre, nor is it a highlight. But it is a really nice album, and any Zeuhl fanatics might want to pick it up.

Honey elk; the type of dreams the hibernating grizzly bears in Alaska have at this very moment.

The French zeuhl band with the same name on the other hand have had their dreams about Magma before they commited these 25 minutes over two songs to a master tape in a studio somewhere. It is not known if Christian Vander & the rest of Magma dreams about grizzly bears, though.

Twenty-five minutes, two tracks. That is the bare bones of this release which is listed as an album here. EP is probably a more fitting listing, though. But it does not matter at all. The music is very Magma'esque. The music is driven by a saxophone as the main solo instrument, supported by some good vocals (in Kobaian ?) and the usual keyboards, bass and drums. The music is not particular dark and the songs has a bit of a symphonic prog setup over it. The music also have some avant-garde RIO feel over it too.

The quality is good throughout, without offering anything particular news to this genre or to the mankind. The first song Stoyz is more zeuhl like while the second song Do Zé Vé Loy is more avant-garde like and based on a mood than technical brilliance.

In short; this is a good zeuhl album which should appeal to any zeuhl fan. It is not an impressive release by any means and it will not win this band or this genre any new fans.

3 stars

This is the only album Honeyelk released during the band's lifetime, it contains the original recording and mix of what was supposed to be only the first side of their debut, but since they were not happy with what they had, they never recorded anything else that time and released the album as it is with only two lenthy songs, clocking at 26 minutes only. Later on in 1995 Gerard Blanc (singer and bass player) remixed the album and added 4 more songs, the album was released that year titled "En Quete D'un Monde Meilleur". Because of not having a record label, the band had to finance everything on their own. The mixing was done in a small private studio in Paris and I guess that was the reason why the quality is not that good. The mix is not perfectly balanced and there are a few moments of chaos here and there (not in a good way I mean). Further more due to not having any professional help while recording, the outcome is far from perfect and other issues like timing and out of tuning also occurs. Most of these problems were fixed in the reissue, and now definitely sound much better and more balanced, such a great job was done. But honestly I don't mean to sound too negative since I really do like this little album inspite of all its problems.

So basically Honeyelk plays a typical style of Zehul mixing some jazz and and RIO elements. The music is mostly dark and haunting (well of course). There's a strong Magma influence, and their style definitely resembles other progressive bands like Zao and VDGG. The music is not heavy at all but also far from being laid back, that's because of the band's overall sound and instrumentation. The leading instruments here comes from Pierre Yves Maury playing the clarinet and saxophone, he is playing all the leads and responsible for the melodies too, of course there's a big help from keyboards and piano which are also always present and help to create their unique sound. Although Frank Lovisolo is credited as being a part of the band playing electric guitars, he doesn't really contribute much and his role is very minimal, I mean there is more guitar playing in bands like ELP, VDGG or Banco which didn't concentrate on guitars that much. The reissue also indicates that Blanc wasn't that satisfied of Lovisolo's guitar parts since he took a lot of them out, making the guitar almost non existent.

Although the music is quite intricate and complex, the band is not tight enough, they are at some points but other moments are too loose, and that's where they lose a few points. The compositions are long and although they are not perfect and suffers a little from an incoherent level, they do have some very good and inspired moments, one thing that I do miss is more killer interplay between them all. The music is moving from intricate aggressive playing derived from a killer bass to other passionate vocal parts, Gerard Blanc is delivering some stunning workouts, no doubt about it. Maury is definitely good playing both dissonant and melodic leads and pretty much gives the overall music it's vibe. It doesn't really detract from my enjoyment but the drums work is a little unstable, I hear some awkward and hesitant drumming here and there, again not tight enough. Another thing that I really like about them is the singing, not only is Blanc a capable bass player, he is also a great vocalist. Because french and english are obviously not interesting enough, Blanc is singing in his own made up language, which gives the music much more character. He is passionate and also sounds very much like Peter Gabriel.

The 1995 reissue "En Quete D'un Monde Meilleur" offers a more stable and balanced mix with a refined sound, on the other hand, this original recording offers a more rawer sound with much more evident guitar playing. For example, the third and final part on the second track is where it's most evident. I like that psychedelic guitar flying over everyone, this is really good. More over this version offers a different ending and is also one minute longer with more vocals and music, both versions are equally great though.

This is recommended to all Zehul fans which are looking for more music to settle their hunger. Although this is not the best album in the genre and it does have a few problems, you might find them unimportant compared to the music and ideas delivered. You can pass this over if you already have the 1995 reissue, but also this is worth tracking down for a reasonable price. 3.5 stars.

HONEYELK was one of the many zeuhl inspired bands from France following in the footsteps of Magma. The band formed in 1974 near the city of Toulon in the south of France and stuck around long enough to release its one and only album STOYZ VI DOZÉVÉLOY which i presume is a fictitious language also inspired by the Kobaian legends of Magma. Originally released with a limited pressing of only 1000 copies, the album has been one of those hot rarities in collector's circles however the album has been re-released on CD twice albeit with a completely different album title "En quête d'un Monde meilleur?" and album cover. Another factor that makes it completely confusing is that even though the content is exactly the same, the original LP featured two side long tracks whereas the reissues broke down the various suites into individual tracks with the track titles also ditching the zeuhlese and appearing in French.

One of the first things anyone coming to HONEYELK for the first time will immediately notice is that these guys didn't sound very much like Magma or any other zeuhl band for that matter. Sure those choppy bass grooves appear but HONEYELK was more of a jazz-fusion band with avant-prog outbursts from time to time. The zeuhl aspects only appear intermittently especially in the chorus sections. The vocals when they do appear courtesy of the the Blanc brothers sound more like Premiata Forneria Marconi than Christian Zander. The rich brass section courtesy of Pierre Yves Maury who plays clarinet and tenor sax offers a heavy emphasis on jazz motifs whereas the collection of keyboards guarantees more of a symphonic prog connection.

Really it's bassist / guitarist Gérard Blanc who keeps the zeuhl connection alive as the musical procession drifts in and out of zeuhl territory. This is a bizarre album in how it meanders all over the place really and the unfocused nature of it is surely the reason the album hasn't gotten more love over the ensuing decades since it has become better known after being saved from the obscurity bins. The band was a quintet with guitars, keys, bass, drums, clarinet and sax but three extra musicians appear on this release including a violinist. Given only two vocalists, HONEYELK wasn't as operatic with no traces of stentorian choirs and instead offered a series of harmonic contrapuntal motifs. The music is difficult to follow and upon a single listen may leave you disappointed. In many ways the music itself reminds me of some of Canterbury Scene jazz-rock bands in terms of meandering compositions although the idiosyncratic sounds of Canterbury bands are absent.

Given that this was a one and done project which was fairly common with hardcore progressive acts putting their entire career of ideas into a single package due to the collapse of newer prog bands finding a foothold in the market, STOYZ VI DOZÉVÉLOY showcases a wide variety of interesting musical ideas that if released earlier in the decade surely would have been teased out over a multi-album run but personally i find these complex labyrinthine albums fascinating in scope. Musically speaking this one is a tough nut to crack but ultimately a rewarding one as it invites new listening sessions to explore the dreamy otherworldly terrain that is punctuated by moments of familiarity that reference not only zeuhl but various strains of jazz-fusion, psychedelic space rock and even eclectic English prog bands like Van der Graaf Generator without sounding like any of them.

One of the differences between the original STOYZ VI DOZÉVÉLOY and its later rendition as EN QUETE D'UN MONDE MEILLEUR is that the latter featured several bonus tracks. The original album featured two long tracks that only added up 26 minutes but the reissue added another 15 minutes of live and studio tracks. All i can say is that HONEYELK's sole album is very weird and for me that's a good thing. It delivers something totally unexpected in a genre known for its consistency at least in terms of the basics. Intricately composed and decorated with all kinds of bizarre musical explorations, i really ended up liking this one even though i, as many, found this one a bit alienating upon first exposure. Sure the vocals could be better but in a way they fit in to the alternate musical universe presented here.

NOTE: Reviewing this album via listening to the reissued rework En Quete D'un Monde Meilleur which is essentially the same, just a little more polished (as PA collaborators have also done)

Like many French bands of the time, Honeyelk's links to Zeuhl are built around a dominant bass guitar and drumming, but more along the lines of Weidorje and Zao than Magma. There's definitely some Van Der Graaf Generator in there too. Often a lot more laidback in its feel and less 'foreboding' sounding than Magma too. The backing vocals, particularly in the midsection of Stoyz/Duel a Vie, also remind you of Peter Gabriel at times.

Stoyz/Duel a Vie is a pretty smooth jazz/Zeuhl track, complete with the above influences, whereas by contrast Do Ze Ve Loy/Terres De Sagesse is a lot more disjointed, built around strong and jarring saxophone - its quite the ride, building from minimal and gathering pace a number of times, with distorted vocals interspersed in calmer moments.

Both tracks are decent in their own right and are quite different from each other, so while nothing 'special', its definitely a good listen.