YELLOW MAGIC ORCHESTRA

One of the most interesting albums of the late seventies. A mix of early computer game sounds and Japanese techno. This album follows on from where Kraftwerk, Faust and Can left things and is a direct link with later bands like Depeche Mode and even Goldrapp.

Standout tracks include la Femme Chinoise and Yellow Magic (Tong Poo). If you are interested in the development of electronica this is a must have, if not then you're almost bound to be dissappointed.

It's only rated 3 stars because I don't feel it sits very comortably under a Progressive tag!

Sometimes I think i shouldn't bother reviewing at all on Prog Archives. Maybe I'm on the wrong web site. I mean, why have I ended up in a deep black hole where no one has listened to the 'Yellow Magic Orchestra'? It's clearly not prog, but this is my favourite music website. Should I even bother writing a review?

I once did Bowie's 'Scary Monsters' which didn't belong here either - but it's one of my favourite albums of all time. I don't know why I bothered then either. I've got that out of place Iron Maiden feeling - Yeeeeuuchhh!

This is ultimately Japanese doing Kraftwerk, and it's bloody great. Far more lively and light hearted and full of great synths from 1978 with the girly looking Ryuichi Sakamoto of 'Merry Chrismas Mr Lawrence' fame on keyboards. Almost as good as 'Mensch Maschine' from the same year. I review my albums as a whole... not prog albums. I guess no one will ever read this review, because basically this album is the last place anyone searching on the internet would look for it . Sod it! I don't care... It's a 4 star!

Yellow Magic Orchestra is the debut album by the group of the same name, and I really can't believe how much I like it. Anyone who's been paying attention to my reviews probably understands that I really hate the '80s, and that goes double for '80s electronic music. However, this group's sound is based almost entirely around '80s synth-pop, and I absolutely love it.

The synth-pop flare is very obvious upon first listen, but so are elements taken from classical, jazz, funk, and light usage of traditional Japanese music (all thoroughly electrified, of course). As far as synth-pop goes, the compositions on this album are very sophisticated. A strong mechanical vibe is present throughout the album, and really sounds like the modern- Japanese answer to Kraftwerk, and it works extremely well. Some tracks also include very strong electro-jazz touches that sound similar to Weather Report or the electro-funk era Herbie Hancock.

I tend to enjoy anything funky, jazzy, or Japanese, so this uniquely Japanese-sounding robo- electro-jazz-funk-pop album was something that spoke to me in the sweetest way. This is one of the only '80s albums that I feel is truly essential in the work of progressive electronic, though it may be an acquired taste for people looking for the stark experimentalism of Conrad Schnitzler or the drawn-out cold landscapes of Tangerine Dream.

Definitely recommended for fans of Squarepusher or Ryuichi Sakamoto's solo work.

'Yellow Magic Orchestra' - Yellow Magic Orchestra (7/10)

For something fun, weird and silly, I would think Japan is the first place I would go to! Yellow Magic Orchestra is widely considered to be the Kraftwerk of Japan, artistic innovators in the realm of electronic music, back when it was new(er than it is today.) Although undeniably progressive in the way they make use of textures here, the Yellow Magic Orchestra is in fact a progenitor of light synthpop here. There is plenty of catchy weirdness to enjoy here, although it can be said that the campy nature of the work gets out of hand at parts.

I have never been much of an expert in electronic music, but Yellow Magic Orchestra sound certainly ahead of their time. Most notably, this is because the music that Yellow Magic Orchestra are making here sounds like a direct precursor to video game soundtracks. Although Super Mario Bros, Pokemon and Star Fox would not gain popularity for about twenty years yet, the music and sounds used here sound like a total influence or the music and sounds in video games. On a contemporary note, Yellow Magic Orchestra is operating on a similar scope to Kraftwerk, albeit with a much more upbeat sound. 'Space music' was the trend of electronic music in the 1970s, but the sounds of galaxies and nebulae are not overt. Instead of densely orchestrated soundscapes, Yellow Magic Orchestra are using these strange sounds to make incredibly catchy and fun music.

'Live' instruments are kept to a minimum here, and instead, the majority of Yellow Magic Orchestra's compositions are left to the sounds of synths and some scarce vocals, the latter of which aren't usually that good. The most melodic moments of this album are magic, being equal parts quirky, fun, and memorable. There is also the feeling that the music does not take itself too seriously, which can be a good thing in parts, but the silliness sometimes gets out of hand, and this results in a sometimes bumpy experience. While Yellow Magic Orchestra are masters of quaint techno-pop, there are loose sound experiments here that revolve around the musicians dabbling with little more than beeps and boops. The experimentalism is appreciated, but not wholly successful.

If I was going to explain the effect of this music, I may label it as incredibly surreal elevator music. The melodies are light, the rhythms are soothing, and everything is doused in a layer of (potentially drug-laced) icing. 'Yellow Magic Orchestra' is a debut album that is certain only suitable for occasional listening, although it stands as one of the most memorable vintage electronic albums I have yet listened to.