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Blood Sweat & Tears - Blood, Sweat & Tears 3 CD (album) cover

BLOOD, SWEAT & TEARS 3

Blood Sweat & Tears

 

Jazz Rock/Fusion

3.29 | 53 ratings

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Easy Livin
Special Collaborator
Honorary Collaborator / Retired Admin
4 stars Good morning campers *

With the ordinal numbering of their releases finally sorted out, BS&T returned from their finest ever (self titled) release, with this credible third album.

The album opens with what is for me the band's best ever recording. "Hi-de-ho" may by a straight-forward anthemic version of the Gerry Goffin & Carol King song, but it has real soul and a wonderful chorale on the final chorus. Clayton-Thomas gives one of his great vocal performances on this spiritual like dirge.

Once again, we have an album consisting primarily of interpretations (the term "covers" would be inappropriate since, as with Vanilla Fudge it would belittle the originality of the music here) of a diverse selection of songs. Steve Katz gets another shot at lead vocal on his co-composition with Dick Halligan "The battle". This is a rather out of character but nonetheless effective piece, but it is good to hear Clayton-Thomas return on his self composed "Lucretia MacEvil". The reprise of this track allows the band space to indulge in some fine improvisation. Side one closes in rather downbeat fashion with a pretty faithful rendition of James Taylor's "Fire and rain" and a delicate ballad "Lonesome Suzie".

If side one finished on a downbeat note, the mood is completely transformed with an over the top improvisation on the Rolling Stones "Sympathy for the devil". Interestingly, Steve Katz was later quoted as saying that by the time the band came to record this album, the fun was rapidly disappearing, and cites this performance as "like, ridiculous". Things are tightened up again for a sympathetic take on Laura Nyro's "He's a runner", Clayton-Thomas relishing the challenge of this superbly composed piece.

The albums closes with two further interpretations, the first of which is Joe Cocker's lesser know "Somethin' comin' on". The fact that Clayton-Thomas and Cocker have similarly gruff voices perhaps makes covering one of his songs an obvious course of action, but the powerful brass arrangement and improvised interlude here distinguishes this version from the original. The closing "40,000 headmen" was originally recorded by Traffic (the band's second Traffic song following on from "Smiling phases"). Here, the song is used as the basis for a diverse arrangement which includes classical themes and ever changing moods.

While this the band's third album does not quite live up to the expectations set by their landmark second album, it still contains a wealth of fine performances and some inspired interpretations of a diverse range of songs. The pressure on the band to emulate their previous success perhaps showed through at times when they tried just a little too hard, but this remains an album of great merit which is undoubtedly worthy of investigation.

*Footnote - For those to whom the headline means nothing, "Hi-de-hi" was a well known British sitcom, who's catch phrase was "Good morning campers!"

Easy Livin | 4/5 |

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