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Agitation Free - 2nd CD (album) cover


Agitation Free



3.83 | 195 ratings

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Special Collaborator
Rock Progressivo Italiano Team
4 stars Agitation Free's `Second' album shows the German band moving in even more interesting directions than the ethnic music inspired flavours of the debut, while still bringing the band closer to that daring sense of sonic freedom and exploration that the Krautrock bands are known for. While the roots of the group are still kind of in an old-school jam-band on this one, the middle-eastern atmospheres of the first album are almost totally replaced here with bluesy guitar soloing, cruising space-rock diversions and experimental electronic passages. Perhaps the results are a little uneven, but the majority of the laid-back, sun-kissed dozy jams especially make it an addictive listen.

Album opener `First Communication' couldn't be more blissful. A careful build of liquid murmuring bass, nimble electric guitar soloing that bursts into sprightly life over and over and the most effortless and seamless tempo changes expertly reigned in by the drumming. The entire piece displays a restrained flowing ambience full of spirit, as if you're soaring amongst the clouds. `Dialogue and Random' is a curious, perhaps even slightly nightmarish electronic experiment of cold machine loops and mechanical oscillations. After a coffin-slamming-shut piano boom, the two part `Layla' is an acid-fried bluesy instrumental with electric guitar scorching away, purring bass and warm Hammond organ washes, the piece constantly growing in urgency, and always truly joyous and infectious.

There's a creeping lethargic and sexy groove to `In The Silence of the Morning', the main guitar melody twists around ripples of Hammond organ and flighty electronic shimmers. `A Quiet Walk' comes closest to the raga-rock ethnic sounds of the debut album `Malesch'. Starting as an ambient early Tangerine Dream-styled drone with wavering synths almost resembling running water with rippling synths before ominous Pink Floyd-like organ rises, eventually frantic acoustic guitar runs and pulsating hand percussion take over. It actually reminds me of moments from the Vangelis album `The Dragon', a default Krautrock album if ever there was one. `Haunted Island' is the only piece of have vocals, breathless and ethereal other-wordly rambling steam-of-consciousness voices. Electric guitar bending notes and searing Mellotron veils weave slinking grooves behind a heavy Brainticket-flavoured intensity.

While the album never quite gels perfectly, the warm jamming improvisations quite at odds with the cold electronic passages, there's no denying the inspiration and determination of the band to challenge themselves and listeners. Easy to put on as a background listen and drift away to, `Second' will appeal to fans of the Ash Ra Tempel, as well as those who don't mind more evocative and chilled out Krautrock sounds.

Three and a half stars.

Aussie-Byrd-Brother | 4/5 |


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