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VEMODAnekdotenHeavy Prog4.05 | 414 ratings |
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Moatilliatta
Prog Reviewer |
![]() So, when I listened to this album for the first time, I did not immediately say "King Crimson!!!" in my head or out loud, because this is not King Crimson and they deserve to be treated like a band that is not King Crimson, in other words, their own entity. What I hear is a very interesting combination of heavy, heavy rock music (not metal, but it is dark and heavy) with mellotron and cello. The vocals are melodic but they somtimes seem a bit distant and/or empty on this particular album. They ebb and flow between that heavy style which also incorporates disonant riffs in the vein of Robert Fripp. Oh man, even I can't escape the comparison here! Truthfully, you can hear the Fripp in those riffs almost right away, but that's the only time during the album I pointed a comparison out, I swear. But now that I'm at it, it does sound a bit like Wetton-era King Crimson. The compositions are pretty solid, but they can be a bit redundant. The production is pretty poor as well. This is certainly the band's most derivative album, and it is pretty derivative (musically speaking), but I trust that your demand for quality supercedes your demand for originality so you can enjoy highlights like "Karelia" and "Where Solitude Remains." Of course I would rather have a band that plays great music that is original, but if the influences are present but not obstructive, it's A-OK with me. Unfortunately the album is a bit shaky: it is too inconsistent and probably one song too long. Good news from the future! The band started correcting these issues as soon as their next album.
Moatilliatta |
3/5 |
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