DISCIPLINE

There's the feeling that, on "Discipline", ROBERT FRIPP is finally able to execute the mix of mathematical precision and sonically stunning vision he always intended for KING CRIMSON. The last CRIMSON album ("Red", recorded in 1974) had revealed an evolution in the band's sound toward more tightly conceived and often lovely compositions, but that pales in comparison to the intricate, evocative arrangements found on here. Often plagued by unwieldy or undertrained lineups, the new KING CRIMSON is comprised of consummate professionals: the returning FRIPP and BILL BRUFORD are joined by ADRIAN BELEW (a distinctive guitarist who played with TALKING HEADS on the prescient "I Zimbra") and bassist/stick player TONY LEVIN (a veteran of countless sessions). Each player has clearly defined roles within the band: FRIPP and BRUFORD conduct numerous little musical transactions, complemented by LEVIN's undulating bass and BELEW's ululant guitar. As a vocalist, BELEW is no liability. "Matte Kudasai" shows him capable of rendering a sincere ballad, while "Indiscipline", "Elephant Talk" and "Thela Hun Ginjeet" lean toward intelligent narration. It may well be that KING CRIMSON and FRIPP's solo work have come to fruition on "Discipline".