HERESY

B. Lustmord's own notes on Heresy claim that the album was recorded in various underground locations and is based around "psycho-acoustic phenomena and the physical effects of low frequency information" - in other words, it's a slow-paced ambient album in which not very much happens, but what does happen is deeply spooky with it. Constituting either actual field recordings or cleverly faked ones - it's hard to tell - this is an album which will rumble on mysteriously in the background before ambushing you with strange little events, like a gun blast followed by bestial snarling and the wail of a child. I am not sure what is supposed to be happening here, but I do know I am supposed to be afraid of it - and the album accomplishes that mission just fine.