EL KHELA

This album from Amon (Andrea Marutti) is a particular occasion to invest dark-moving drone textures within a rather detached-disembodied splendor: We are not haunted by a hell-ish, apocalyptical electronic "droning" symphony (Lusmord) or "intoxicated" by tumultuous, neurotic sounds (Maurizio Bianchi). The ambience is archeological, exploring the strates of time in antical places. Consequently the dronescapes are developped as sonorous, immersive, low frequences with lot of reverbs, echoes, driving windy silences. It's a kind of moody meditation with a total absence of melodies, only built on fundamental, static and veiled electronic sentences. This work is honest, well composed and imaginative but it definitely should be listened with a high quality sound installation (in order to appreciate the momentary micro-changes hidden behind massive droning spheres). it can easily ravish fans of Bernard Ghunter, Thomas Koner and those who dream in the heavenly cathedrals of drones.