EISZEIT

GAM were pioneers of the 'Kosmische Musik' which never became that famous as Ashra Tempel or Tangerine Dream. Hard to believe considering this excellent album which holds german song titles. The instrumentation is not familiar for this style though - consisting of drums and two electric guitars. Günther Schickert can be compared to Manuel Göttsching stylistically.Sepp oben ich unten and Wilderness are proving that for example with looping guitars whereas one is substituting the repetitive bass line. This implies a grooving rhythm supported by drummer Michael Leske. However - this sounds different, improved compared to the raw sessions from the predecessor album recorded with a simple equipment at Schickert's cellar.

This album was worked out 1978 in Berlin. For unknown reasons not released until Cosmic Egg took over this task in 2005. The original producer plus master tape were missing but fortunately a copy of the last mix still existed. 'Eiszeit' has a special spacey flow in the whole. Second guitarist Axel Struck contributes with some weird but also melancholic vocals. Instead of synthesizer several guitar effects are taking effect as for a compensation. Demons gets out of the range with a more eclectic style similar to King Crimson. Wilderness in opposite is a free form jam with space rock character and stands for the main stylistical orientation.

The ambient Tropfstein is providing some hall effects and a mood in the whole which lets you feel like crossing a cave - a surprising start. And I'm wondering how they manage to reach for such synthesizer similar sounds like on Geige which has a hypnotic industrial stomping rhythm backing sensitive spacey guitars. Verlass mich nicht is probably derived from a true (love) story. 'Don't leave me' - the song contains heart-wrenching vocals and guitar playing - I prevent to say wonderful because this may have a serious background.

A masterpiece of krautrock - an adventure for your ears - highly recommended. With a good bit of luck this gem has survived. The three musicians are excellently harmonizing. Well-conveived - not aimless noodling, unique, performed with tons of impressing echo-guitar, but also melodic, sounding fresh and contemporary not only because of the good sound mix. And that should be enough for the praise ...