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Potemkine - Nicolas II CD (album) cover





3.93 | 59 ratings

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4 stars With this, the final album release from the French band that had its start in the Zeuhl world, we hear less of the influences of Zeuhl and more of the melodic jazz fusion in the vein of contemporaries NARADA MICHAEL WALDEN, NATIONAL HEALTH, BRAND X, RETURN TO FOREVER, and BRUFORD. Too bad the Brothers Goubin decided to call it quits: they were quite talented and definitely made some nice contributions to the progressive rock scene.

1. "Tango Panache" (6:18) very nice playing with a very engaging structure and melodies--sounds a lot like Al DiMeola and NARADA MICHAEL WALDEN. (9/10)

2. "Raspoutine" (5:56) more in the WETHER REPORT wheelhouse, there are some strong keyboard foundations here despite the Corrado Rustici-like guitar lead play. The bass and drumming sound and feel so close to the WEATHER REPORT style. Even the main melodies scream out WEATHER REPORT. Nice electric piano work. (8.5/10)

3. "Theme Pour Un Swing Imaginaire" (5:37) funked up jazz like STANLEY and AL were playing at this time. Great play by Dominique Dubuisson on the bass and by Michel Goubin on the keys. The dirty yet speedy guitar play reminds me more of Ray Gomez than either Al Di or CORRADO here. No, there is no Zeuhl here; this is all-out, funked up jazz-rock fusion. (8.25/10)

4. "Air De Famille" (3:19) opens with some more sensitive WEATEHR REPORT-like keyboard-dominated music within which drums and fretless bass play nice supporting roles while electric guitar tries to lead the way--though on this song Charles seems just a little out of sync with the other musicians--his attempts at John McLaughlin-isms either fail or are just off tempo. (8.25/10)

5. "Ode De Mars" (5:23) starts rather benignly before clavinet, bass, and drums bounce into something a little more lively at the end of the first minute. Once the tempo and structure are established and Michel is doing his magic at filling the sound palette, guitarist/brother Charles tries to steal the show with his guitar play. But it's always Michel's keyboards that seem to own the heart and soul of the music. Charles does reach some nice heights in the fourth minute, but Michel is so smooth, so effortless, so cool! (8.75/10)

6. "Aux Images" (2:41) some pretty Chick Corea-like piano sets up and maintains the foundation of this song well into the second minute while other key boards and percussion instruments have joined in and have added their magical little embellishments. Nice piece; probably the best song on the album; definitely my favorite. (5/5)

7. "Amphitheatre Magique" (6:45) a solid song in the style of the slower, more steady-paced Chick Corea/Return to Forever songs, this song has the most hints at any remnants of Zeuhl the band may still harbor with some of the bridges and transitions as well as Philippe Goubin's fine drumming--also in the nice shift at the five minute mark-- but the final section is a return to J-RF. (14/15)

Four stars; an excellent addition to any prog lover's music collection--especially those lovers of 1970s Jazz-Rock Fusion. For those of you really looking for the Zeuhl be forewarned: There is little or no Zeuhl here.

BrufordFreak | 4/5 |


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