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Dead Can Dance - The Serpent's Egg CD (album) cover


Dead Can Dance


Prog Folk

3.89 | 168 ratings

From, the ultimate progressive rock music website

4 stars Brendan and Lisa turn more to the East (especially the Middle East) for their inspiration and goals. Lisa's voice has certainly matured and strengthened.

1. "The Host of Seraphim" (6:18) there is no denying the vocal virtuosity on display in this song, but the instrumental bed on which it lays is equally mesmerizing. A true gut-wrenching masterpiece of music. One for the ages. (10/10)

2. "Orbis de Ignis" (1:35) a multi-voice medieval chant/weave with an Eastern European feel. (4.75/5)

3. "Severance" (3:22) organ giving Brendan a turn. A little too monotonous; nothing very exciting or innovative here. (7.75/10)

4. "The Writing on My Father's Hand" (3:50) (Anna Von Hausswolff: I've found your inspiration! Also, Katharine Blake/Mediæval Bæbes.) (8.75/10)

5. "In the Kingdom of the Blind the One-Eyed Are Kings" (4:12) Brendan's turn over the first and only incidence of "dated"-sounding keyboards I've yet experienced by this band's output in the 1980s! Too bad. (8.5/10)

6. "Chant of the Paladin" (3:48) like a slave work song! Wow! Don't beat us to death! (8.5/10)

7. "Song of Sophia" (1:24) a cappella Lisa in some Middle Eastern language. (4.25/5)

8. "Echolalia" (1:17) male pagan chanters with tympanic drums are soon joined--alternating with call-and-response-like form--with female chorus. Interesting if not very engaging. (4.25/5)

9. "Mother Tongue" (5:16) instrumental African-like drum weave which is slowed down and joined by breathy synth flute and occasional female chants in the second half. I'm a sucker for African drum circles. (8.75/10)

10. "Ullyses" (5:09) employing a sound palette that Lisa and Brendan will return to (with great success) for the duration of their musical partnership. Brendan's turn in the lead. Unfortunately, his voice is mixed far too far in the back. (8.5/10)

Total Time: 36:15

Once again, I am astounded that these two could get the "authentic" and realistic sound blends with the electronic instruments they were using.

B+/4.5 stars; a near-masterpiece of world folk-eclectic progressive rock music.

BrufordFreak | 4/5 |


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