ISA

There's 2 types of Black Metal. Type one is ridiculously aggressive and boasts the worst possible production values in rock history. Type two is ridiculously orchestrated pomposity that is at the same time mostly blatantly commercial. A common feature of both manifestations would be the goofy corps paint!

There's a good chance you think like that and judging from what you've probably got in touch with you're entirely right. But did you know there was a third kind?

Yes indeed there is, hidden in the darkest corners of this vast legion of bands with unreadable logos there are a few bands, mostly the pioneers, that have lived up to the philosophy of black metal and managed to purge some excellent music out of it. You will hardly be surprised to hear that those bands gradually embraced progressive influences into their black muck. By means of a reference I would suggest 'Nemesis Divina' by Satyricon, 'At The Heart of Winter' by Immortal and the album under dissection here: Enslaved's Isa.

Isa finds Enslaved 9 albums into their career and concludes 6 consecutive years of awesome Enslaved creativity. By then most of the black metal roots had been wrought into something more digestible. By avoiding the typical blast beats and murky production and by adding decent clean singing, Enslaved serves an album of beautiful songs varying between catchy grooves, an occasional melody and laid-back atmospheric sections. Think Voivod mixed with Opeth doing black metal.

This is still very harsh and aggressive music so don't go in if you're not into some darker prog already. But if you like Voivod or Opeth and you can overcome your initial repulsion at the black metal rasps; you're in for a treat.