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Mister Robot - Fables for Robots CD (album) cover


Mister Robot


Symphonic Prog

4.09 | 52 ratings

From, the ultimate progressive rock music website

4 stars A reverently created album by one-man band Aleksei Rusakin from Omsk, Russia--one that he had been working on for some time before releasing it as "finished."

1. Fables for Robots, Part 1 (19:18) a section-by-section rundown or lyrics sheet (with translation) would have been nice. the fact that Aleksei chooses to use the same chordal and melodic structures to dominate throughout this entire composition only tells me that he's probably had training in classical music (composition). The occasional introduction of the odd synthesizer or acoustic instrument, to me, shows his desire to impress--to show off his "skills," diversity, and classical training. The fact that they, each one, appear and then disappear without ever returning shows me his immaturity and lack of multiple perspectives as both a composer and storyteller. Ambitious but unpolished and . . . trite. I hear a lot of Johannes Luley in this work, but none of the Johannes' complexity and maturity that Johannes has attained. (33.25/40)

2. "Fables for Robots, Part 2" (20:24) suddenly the production value is increased: greater complexity, greater layering, greater shifts in tempos, styles, and melodies. Even the overall engineering has tightened up the performances--heck, even the solos are more dynamic, way more emotionally engaging than any in "Part 1." In his brief self-description on his Bandcamp page, Aleksei reports that "The main goal of the project is to compose music that integrates music of various styles and eras as much as possible." He has definitely done this on this second piece as I can finally hear sounds and styles that are familiar to me including those of Tony Banks, Brian May, The Flower Kings, Peter Hammill, and Trevor Horn/Art of Noise. Nicely done--quite a step up from the previous song. (36/40)

Total Time 39:42

Well engineered, the timing between layered tracks is frequently oddly off-kilter. The music is definitely Crossover in that there is little exploration of complex structures or odd time signatures--plus, it's very melodic. The story is light-hearted, presenting a na´ve innocence that, I believe, is a tongue-in-cheek representation of the opposite of what the composer really believes. The artist is definitely a pianist first, though his competent vocals show a remarkable sense of self-confidence. Assuming Aleksei did the album's artwork as well, I encourage this would-be Renaissance man to press on--to keep working at his skills--both physical and mental. I like his heart and ambition-- this is a cool concept; he only needs . . . practice . . . and experience. (And maybe collaboration and/or outside input.) P.S. Aleksei is not a born drummer.

B/four stars; a very nice addition to any prog lover's music collection--especially to have when he releases his next project--in order to see how much he has grown.

An artist to watch!

BrufordFreak | 4/5 |


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